Warner Brothers did for Dennis Morgan and Jack Carson something that Paramount until the Road To Bali never did for Bing and Bob. The Time, The Place And The Girl was done in some really nice technicolor and they gave the musical numbers by Arthur Schwartz and Leo Robin full production numbers. They could do this because a great deal of the film has a nightclub setting.
A nightclub setting that Morgan and Carson own and are trying to open. But they are next door to S.Z. Sakall and Florence Bates and their townhouse. Sakall is a symphony conductor and their granddaughter Martha Vickers is studying grand opera. Funny we hear no operatic notes from her.
What to do but send the old lady killer Morgan into action. But he really falls for Vickers. I think you can figure the rest out.
The musical numbers are not as elaborate as Busby Berkeley stuff in the Thirties, but are more elaborate than Road films numbers which only had the Crosby/Hope personalities to put them across and they certainly didn't do a bad job.
One interesting bit of casting is that of Donald Woods as Sakall's business manager who plays it like Edward Everett Horton and threatens to close the whole club down and ruin Morgan and Carson. A change of pace for Woods who was never quite a leading man, but was a chameleon like actor who fit into many characters without a bit of personality usually. Here he borrows Horton's.
Dennis's light tenor and Carson's antics are always entertaining.
A nightclub setting that Morgan and Carson own and are trying to open. But they are next door to S.Z. Sakall and Florence Bates and their townhouse. Sakall is a symphony conductor and their granddaughter Martha Vickers is studying grand opera. Funny we hear no operatic notes from her.
What to do but send the old lady killer Morgan into action. But he really falls for Vickers. I think you can figure the rest out.
The musical numbers are not as elaborate as Busby Berkeley stuff in the Thirties, but are more elaborate than Road films numbers which only had the Crosby/Hope personalities to put them across and they certainly didn't do a bad job.
One interesting bit of casting is that of Donald Woods as Sakall's business manager who plays it like Edward Everett Horton and threatens to close the whole club down and ruin Morgan and Carson. A change of pace for Woods who was never quite a leading man, but was a chameleon like actor who fit into many characters without a bit of personality usually. Here he borrows Horton's.
Dennis's light tenor and Carson's antics are always entertaining.