Logan might become the first film to truly force the Academy to rethink its opinion on comic book films since 2008, when The Dark Knight forced the committee to expand its Best Picture yearly lineup. Yes, it is that good. And yes, it's the best superhero film in nearly two decades. Yes, I am pitting this above The Dark Knight. Stop shaking your head.
What is a masterful blend of action, drama, and comic book flair, Logan is perfectly executed from beginning to end even though it will tear your heart apart as if Wolverine himself is coming at you in the midst of his infamous berserker rage. Even if you secretly and calmly knew the results of this film, considering that Jackman won't be reprising his role and considering the obviously bleak tone, you still won't be ready for the heartbreak. This dramatic style of comic book cinema is what DC has never fully been able to pull off (especially recently, I'm looking at you Batman vs. Superman) and Disney's Marvel has always refused to aim towards (Because Disney enjoys Marvel following the Pixar formula). It is a fitting end and an excellent finale to a rather clunky spin-off trilogy that is embedded amongst a plethora of other films.
I don't use the term Oscar-worthy very often, especially in the comic book realm. However from the cinematography to the acting many elements of Logan deserves extra praise and an abundance of attention. We can start with James Mangold, whose writing and directing skills here have hit peak momentum. With an interestingly diverse career that spans from Kate and Leopold to Walk the Line to Knight and Day (huh?), Mangold and friends concoct a deep script that remains very much grounded even if the concept involves X-Men and superheroes. In here we see a much older and dying Wolverine and Professor X trying to help a young mutant reach the northern border for safety before the evil company that created her catch up and grab her. The emotions of a difficult life are explored far more than the whimsical events that usually follow comic books that we've read over the years. From the music to the cinematography, every element of Logan points to presenting a story that forces you to reflect on a life you've lived.
Hugh Jackman and Patrick Stewart have always been the best parts of the entire Fox X-Men franchise (which has more mediocre films than good, I must add), and seeing them working together here in such a dramatic picture continues to showcase their range and phenomenal talent. As Logan and Charles as opposed to Wolverine and Professor X, we see them stripped down of their power and youth and witness a severely condensed version of what they used to be. It hurts to watch, but we maintain engaged and begging for them to just survive the day. They both deserve some Oscar buzz, I am deathly serious. And serious extra points to Stephen Merchant and newbie Dafne Keen for their remarkable performances. The cast was overwhelmingly stellar and made the film tougher to witness as the stakes are raised and you know death is imminent.
I avoided this movie longer than I should have not because I was afraid of DC-like disappointment, but more because I knew it was the end of an era of films I grew up with, and I knew deep down that it was going to be a difficult watch. Much like us (most of us) as we grow older, the X-Men films have indeed matured, especially in the Wolverine timeline. Logan is nonetheless entertaining indeed, with the dizzying violent action and impressive visuals that compliments a story that feels like a grim western. The production value was top-notch, considering the smaller budget (for a film of its caliber and genre anyway) and considering the fact that the comic book visuals were mostly taking a backseat while allowing the story to organically grow and advance.
It doesn't feel like a comic book movie because it hits so close to home. Logan is a punch to the gut, but a mesmerizing film that is hands-down among the all-time best of the genre. Whether you enjoy comic book movies or not, this is required viewing.
Blog: https://coffeeandscriptblog.wordpress.com/
What is a masterful blend of action, drama, and comic book flair, Logan is perfectly executed from beginning to end even though it will tear your heart apart as if Wolverine himself is coming at you in the midst of his infamous berserker rage. Even if you secretly and calmly knew the results of this film, considering that Jackman won't be reprising his role and considering the obviously bleak tone, you still won't be ready for the heartbreak. This dramatic style of comic book cinema is what DC has never fully been able to pull off (especially recently, I'm looking at you Batman vs. Superman) and Disney's Marvel has always refused to aim towards (Because Disney enjoys Marvel following the Pixar formula). It is a fitting end and an excellent finale to a rather clunky spin-off trilogy that is embedded amongst a plethora of other films.
I don't use the term Oscar-worthy very often, especially in the comic book realm. However from the cinematography to the acting many elements of Logan deserves extra praise and an abundance of attention. We can start with James Mangold, whose writing and directing skills here have hit peak momentum. With an interestingly diverse career that spans from Kate and Leopold to Walk the Line to Knight and Day (huh?), Mangold and friends concoct a deep script that remains very much grounded even if the concept involves X-Men and superheroes. In here we see a much older and dying Wolverine and Professor X trying to help a young mutant reach the northern border for safety before the evil company that created her catch up and grab her. The emotions of a difficult life are explored far more than the whimsical events that usually follow comic books that we've read over the years. From the music to the cinematography, every element of Logan points to presenting a story that forces you to reflect on a life you've lived.
Hugh Jackman and Patrick Stewart have always been the best parts of the entire Fox X-Men franchise (which has more mediocre films than good, I must add), and seeing them working together here in such a dramatic picture continues to showcase their range and phenomenal talent. As Logan and Charles as opposed to Wolverine and Professor X, we see them stripped down of their power and youth and witness a severely condensed version of what they used to be. It hurts to watch, but we maintain engaged and begging for them to just survive the day. They both deserve some Oscar buzz, I am deathly serious. And serious extra points to Stephen Merchant and newbie Dafne Keen for their remarkable performances. The cast was overwhelmingly stellar and made the film tougher to witness as the stakes are raised and you know death is imminent.
I avoided this movie longer than I should have not because I was afraid of DC-like disappointment, but more because I knew it was the end of an era of films I grew up with, and I knew deep down that it was going to be a difficult watch. Much like us (most of us) as we grow older, the X-Men films have indeed matured, especially in the Wolverine timeline. Logan is nonetheless entertaining indeed, with the dizzying violent action and impressive visuals that compliments a story that feels like a grim western. The production value was top-notch, considering the smaller budget (for a film of its caliber and genre anyway) and considering the fact that the comic book visuals were mostly taking a backseat while allowing the story to organically grow and advance.
It doesn't feel like a comic book movie because it hits so close to home. Logan is a punch to the gut, but a mesmerizing film that is hands-down among the all-time best of the genre. Whether you enjoy comic book movies or not, this is required viewing.
Blog: https://coffeeandscriptblog.wordpress.com/