The worst part about 'Her' is that it explores so many concepts and ideas. All the while, the best part about the movie is how they explore those notions.
'Her' is a brilliant drama about a depressed, hapless man undergoing a divorce. He, Theodore, eventually forms a friendship with an operating system. As odd as it sounds, the OS symbolizes and simulates a person's perfect partner. This is the same for Theodore and is why Samantha, his OS, is a female. In time, their relationship becomes much more personal and they really feel a connection to each other. And while Theodore still mourns over his ex leaving him, he's happy--the first time since he and his wife split up--because he realizes that she's not the only one who can bring joy and meaning to his life.
Director Spike Jonze makes a movie about inner-beauty, and this idea is expressed and represented by the love Theodore shares with Samantha. In a way, Theodore and Samantha have sex; she doesn't have body, but it provokes no limitation to their love, sexual or not. Theodore loves her immensely--unlike he's loved anybody else before. She's real; even though Theodore can't see her, he can feel her--and that right there is love--true love, if you will.
"I'm not tethered to time and space in the way that I would be if I was stuck inside a body that's inevitably going to die," she says. This particular quote makes you realize, if not question, how we all are stuck within ourselves--hurt, loved, hurt more . . . and finally taken away--along with everything we love.
And so the film embarks, giving a message, once again--this time about technology-- improving, advancing technology--that takes over our lives and current states of mind. Of how we become ever so dependent on what we don't need, but want--of how pure guilt takes over innocence . . . like 'WALL-E'-- but more beautiful.
'Her' is a brilliant drama about a depressed, hapless man undergoing a divorce. He, Theodore, eventually forms a friendship with an operating system. As odd as it sounds, the OS symbolizes and simulates a person's perfect partner. This is the same for Theodore and is why Samantha, his OS, is a female. In time, their relationship becomes much more personal and they really feel a connection to each other. And while Theodore still mourns over his ex leaving him, he's happy--the first time since he and his wife split up--because he realizes that she's not the only one who can bring joy and meaning to his life.
Director Spike Jonze makes a movie about inner-beauty, and this idea is expressed and represented by the love Theodore shares with Samantha. In a way, Theodore and Samantha have sex; she doesn't have body, but it provokes no limitation to their love, sexual or not. Theodore loves her immensely--unlike he's loved anybody else before. She's real; even though Theodore can't see her, he can feel her--and that right there is love--true love, if you will.
"I'm not tethered to time and space in the way that I would be if I was stuck inside a body that's inevitably going to die," she says. This particular quote makes you realize, if not question, how we all are stuck within ourselves--hurt, loved, hurt more . . . and finally taken away--along with everything we love.
And so the film embarks, giving a message, once again--this time about technology-- improving, advancing technology--that takes over our lives and current states of mind. Of how we become ever so dependent on what we don't need, but want--of how pure guilt takes over innocence . . . like 'WALL-E'-- but more beautiful.