There's a reason I read a handful of positive and negative reviews for each film I watch before I post my own. This one draws severe criticism from more than a handful of reviewers who totally castigate the filmmakers and virtually everything about it - the editing, the choice of location, even the motives of the principals. Many of them, and not surprisingly in this age of 'white guilt', attempt to shame the principals for self aggrandizement while citing their vaunted position as members of an elite minority class.
By merely watching this documentary, none of those thoughts ever entered my head. Can it be such a bad thing that Zana Briski took a handful of underprivileged kids under her wing and attempted to show them there was an outlet for their creativity, and perhaps a way out of their situation? Most of these children felt resigned to taking up the same life as their parents, while realizing that it was an immeasurably bad one. When 'Zana Auntie' asked the young girl Suchitra "Do you see any solution to all this?", the answer was a resounding "No". One of the boys in the film gave a starker reply later on - "There is nothing called 'hope' in my future".
With all that, it was so disheartening to learn at the end of the film that most of the kids featured returned in some measure to their prior life. Manik's father - didn't allow him to go to school. Puja's mother - withdrew her from the Sabena School. Shanti left on her own. Gour went back to live at home and wanted to attend the University. Tapasi ran away from home to attend a girl's school. Suchitra's aunt wouldn't let her leave the brothel. Only Kochi remained at Sabena.
All you critics, ask yourself - "Where are these kids now?"
By merely watching this documentary, none of those thoughts ever entered my head. Can it be such a bad thing that Zana Briski took a handful of underprivileged kids under her wing and attempted to show them there was an outlet for their creativity, and perhaps a way out of their situation? Most of these children felt resigned to taking up the same life as their parents, while realizing that it was an immeasurably bad one. When 'Zana Auntie' asked the young girl Suchitra "Do you see any solution to all this?", the answer was a resounding "No". One of the boys in the film gave a starker reply later on - "There is nothing called 'hope' in my future".
With all that, it was so disheartening to learn at the end of the film that most of the kids featured returned in some measure to their prior life. Manik's father - didn't allow him to go to school. Puja's mother - withdrew her from the Sabena School. Shanti left on her own. Gour went back to live at home and wanted to attend the University. Tapasi ran away from home to attend a girl's school. Suchitra's aunt wouldn't let her leave the brothel. Only Kochi remained at Sabena.
All you critics, ask yourself - "Where are these kids now?"