"Hold Back the Dawn" is the kind of film that would have been labeled as a "women's picture" back in 1941, the year of release. I hate that term, though, because it condescendingly assumes that there's nothing in a movie like this for men to enjoy. On the contrary, there's plenty to enjoy for everyone, including a story that has taken on renewed urgency and relevancy considering the debate swirling around illegal immigration at this moment in our country.
Charles Boyer plays a playboy fleeing war-torn Europe and stranded in Mexico awaiting an opportunity to get into America. Olivia de Havilland plays a plain Jane school teacher who falls for his false claims of love and accepts his proposal of marriage, not realizing that he's only using her to get into the country. But of course there wouldn't be a movie if he didn't eventually fall in love with her for real and have compunction about his actions.
It's interesting to see how immigration was handled in 1941, and how lax border security was. The film is also sympathetic to the plights of those trying to gain entry, something many people now would benefit from being reminded of.
Poor de Havilland was always getting cast as dowdy, naive spinsters, which is a shame given how luminous she can be as an actress. No matter. Let the Oscar nomination she received for this film be her consolation. The film was also nominated for Best Picture, Best Screenplay (penned by famous screenwriting team Charles Brackett and Billy Wilder), Best Art Direction (B&W), Best Cinematography (B&W), and Best Dramatic Score, a puzzling nomination since the film's only music is that heard during the opening and end credits.
Grade: B+
Charles Boyer plays a playboy fleeing war-torn Europe and stranded in Mexico awaiting an opportunity to get into America. Olivia de Havilland plays a plain Jane school teacher who falls for his false claims of love and accepts his proposal of marriage, not realizing that he's only using her to get into the country. But of course there wouldn't be a movie if he didn't eventually fall in love with her for real and have compunction about his actions.
It's interesting to see how immigration was handled in 1941, and how lax border security was. The film is also sympathetic to the plights of those trying to gain entry, something many people now would benefit from being reminded of.
Poor de Havilland was always getting cast as dowdy, naive spinsters, which is a shame given how luminous she can be as an actress. No matter. Let the Oscar nomination she received for this film be her consolation. The film was also nominated for Best Picture, Best Screenplay (penned by famous screenwriting team Charles Brackett and Billy Wilder), Best Art Direction (B&W), Best Cinematography (B&W), and Best Dramatic Score, a puzzling nomination since the film's only music is that heard during the opening and end credits.
Grade: B+