Kerwin Mathews and Nathan Juran, star and director of The 7th Voyage of Sinbad (1958), team up once again for more colourful fantasy adventure in Jack the Giant Killer, an engaging and inventive yarn crammed full of monsters and magic.
Mathews plays Jack, a farm worker who is knighted after saving a beautiful princess (Judi Meredith) from the clutches of an ugly giant sent by the evil wizard Pendragon (Torin Thatcher, also from 7th Voyage of Sinbad). When a second attempt to abduct the princess proves more successful, Jack sets off to rescue her, with the help of a viking, Sigurd (Barry Kelley), a young boy (Roger Mobley), and a leprechaun in a bottle (Don Beddoe).
While the stop motion used to bring many of the film's creatures to life isn't quite up to Ray Harryhausen standards, the sheer quantity of special effects scenes make Jack the Giant Killer a whole lot of fun for fans of classic (ie. pre CGI) fantasy. The action starts with a miniature jester in a musical box growing into a towering horned terror, there's a wonderfully creepy assault on a ship by hideous witches (the film's highlight, possibly too scary for the really young ones), Pendragon summons up an army in a scene reminiscent of the skeleton attack in Jason and the Argonauts, a two headed giant battles with a lizardopus (half-lizard, half-octopus), and the evil wizard changes into a dragon to try and put an end to Jack once and for all.
Clearly aimed at kids, the performances are of the pantomime variety, especially Thatcher as wicked Pendragon, who hams it up a treat. Meredith also gets a chance to exercise her villainous side when she is transformed into a witch, complete with green skin and bright yellow eyes. This broad acting style doesn't detract from one's enjoyment, being perfectly suited to the fairytale material.
Mathews plays Jack, a farm worker who is knighted after saving a beautiful princess (Judi Meredith) from the clutches of an ugly giant sent by the evil wizard Pendragon (Torin Thatcher, also from 7th Voyage of Sinbad). When a second attempt to abduct the princess proves more successful, Jack sets off to rescue her, with the help of a viking, Sigurd (Barry Kelley), a young boy (Roger Mobley), and a leprechaun in a bottle (Don Beddoe).
While the stop motion used to bring many of the film's creatures to life isn't quite up to Ray Harryhausen standards, the sheer quantity of special effects scenes make Jack the Giant Killer a whole lot of fun for fans of classic (ie. pre CGI) fantasy. The action starts with a miniature jester in a musical box growing into a towering horned terror, there's a wonderfully creepy assault on a ship by hideous witches (the film's highlight, possibly too scary for the really young ones), Pendragon summons up an army in a scene reminiscent of the skeleton attack in Jason and the Argonauts, a two headed giant battles with a lizardopus (half-lizard, half-octopus), and the evil wizard changes into a dragon to try and put an end to Jack once and for all.
Clearly aimed at kids, the performances are of the pantomime variety, especially Thatcher as wicked Pendragon, who hams it up a treat. Meredith also gets a chance to exercise her villainous side when she is transformed into a witch, complete with green skin and bright yellow eyes. This broad acting style doesn't detract from one's enjoyment, being perfectly suited to the fairytale material.