The return of Trainspotting to the screen such a weird bit of timing. The cast are almost all moved on to very successful careers in cinema and television, with a range of big and personal projects between them. Likewise the film sits in a period in the mid-90's where cinema seemed so vibrant with ideas and new directors (most of whom are now the new establishment); so returning to a place with that establishment didn't think it would work - particularly seeing so many big name actors trying to convince as broken shells. It felt like it would be an exercise in looking back, rather than being a new film in and of itself.
I thought this would be a negative, but actually this is what the film does, but it is a strength not a weakness. The film reconnects with the characters, who are all in their different places, some having moved more than others. Regardless though, they are all looking back. Some of them look back with fondness when their violence was at its peak, others feel regret for what little they have to show for life - some putting that on themselves, others putting it into blame on others for closing off options. This sense of hitting a certain age and looking back is universal I think, and it works well here. The base plot is not as good, but this element of nostalgia (fond and regretful) mixes across the film well and carries it through.
It also allows the film to do what it does in terms of style. It references the original film a lot, but thanks to this theme, it doesn't feel like it is trying to replicate it or ride on its coattails, but rather it is a touchpoint for the characters, the cast, the crew, and the viewer. Doing this strengthens that theme. Of course, it also repeats the energy of the original film, with the director/cinematographer very much pushing the style and design. This doesn't work quite as well when sometimes there is not quite the substance to carry it off.
How it would work for younger viewers, or those who have never seen the first film, I don't know. But for me it had the style and energy it needed to keep it all moving, but what worked most was that it took that feeling of a backwards looking film, and made that a strength that ran through the 4th wall from the characters out to the production and to the viewer. It is not a match for the original film but it works very well as a companion piece.
I thought this would be a negative, but actually this is what the film does, but it is a strength not a weakness. The film reconnects with the characters, who are all in their different places, some having moved more than others. Regardless though, they are all looking back. Some of them look back with fondness when their violence was at its peak, others feel regret for what little they have to show for life - some putting that on themselves, others putting it into blame on others for closing off options. This sense of hitting a certain age and looking back is universal I think, and it works well here. The base plot is not as good, but this element of nostalgia (fond and regretful) mixes across the film well and carries it through.
It also allows the film to do what it does in terms of style. It references the original film a lot, but thanks to this theme, it doesn't feel like it is trying to replicate it or ride on its coattails, but rather it is a touchpoint for the characters, the cast, the crew, and the viewer. Doing this strengthens that theme. Of course, it also repeats the energy of the original film, with the director/cinematographer very much pushing the style and design. This doesn't work quite as well when sometimes there is not quite the substance to carry it off.
How it would work for younger viewers, or those who have never seen the first film, I don't know. But for me it had the style and energy it needed to keep it all moving, but what worked most was that it took that feeling of a backwards looking film, and made that a strength that ran through the 4th wall from the characters out to the production and to the viewer. It is not a match for the original film but it works very well as a companion piece.