Though the plot focuses on action, there is great tenderness for the Viking tradition (even if some say this is Anglo-Saxon), and it is not marred by needless updating. This alone makes a film worthy, especially these days. The lustiness and heroism of these great warriors is not muted by apologies, and one may enjoy this film as a standalone historical (or perhaps mythological) epic. In this vein, and for this genre, the film is meaty. Could it have done more? I think not, given that Lord of the Rings used a trilogy to squeeze out characterization and subplots. Beowulf on the other hand traverses at least two different stories in the two hours afforded.
The characters are marvelous, if somewhat familiar. A perfect respite from the wise-cracking Thor of Marvel films. Ray Winstone is the epitome of Beowulf, Anthony Hopkins does a wonderful job as King Hrothgar, Brendan Gleeson is the great sidekick, and Angelina Jolie is ravishing as Grendel's mother. Like subplots, sub-characters, such as John Malkovich's Unferth, don't get enough time, which is good, because it means you wanted more. Even Grendel (Crispin Glover) is somewhat brief. Everything seems realistic and characters act like real people, not caricatures, which seems to be the norm lately. The dialogue matches expectations, even if there is more we'd like to know.
The high point of the film is the extravagent NINE-MINUTE battle between Beowulf and the dragon, which in 3-D is dizzying. This is also an emotional battle, so there is extra energy to it. In CGI, there is so much more that can be done, and I like the balance director Robert Zemeckis struck between keeping it real and milking the fantasy with animation.
The music is rousing and fitting. I enjoyed the overture and the theme song, but I am sucker for Enya and Celtic in general, as well as Scandinavian traditional.
Like Alien and Independence Day, this is a film I could watch over and over. It over-delivers on its promises.
The characters are marvelous, if somewhat familiar. A perfect respite from the wise-cracking Thor of Marvel films. Ray Winstone is the epitome of Beowulf, Anthony Hopkins does a wonderful job as King Hrothgar, Brendan Gleeson is the great sidekick, and Angelina Jolie is ravishing as Grendel's mother. Like subplots, sub-characters, such as John Malkovich's Unferth, don't get enough time, which is good, because it means you wanted more. Even Grendel (Crispin Glover) is somewhat brief. Everything seems realistic and characters act like real people, not caricatures, which seems to be the norm lately. The dialogue matches expectations, even if there is more we'd like to know.
The high point of the film is the extravagent NINE-MINUTE battle between Beowulf and the dragon, which in 3-D is dizzying. This is also an emotional battle, so there is extra energy to it. In CGI, there is so much more that can be done, and I like the balance director Robert Zemeckis struck between keeping it real and milking the fantasy with animation.
The music is rousing and fitting. I enjoyed the overture and the theme song, but I am sucker for Enya and Celtic in general, as well as Scandinavian traditional.
Like Alien and Independence Day, this is a film I could watch over and over. It over-delivers on its promises.