Julian Sands as the warlock (son of Satan) is back at it again, and his suave presence fitting as usual in a rather devilish sequel. This time around he makes much more of a bloody mess as he cruelly and imaginatively toys around with the owners of the scattered magical runestones, Druid Guardians and two meddling small-town teenagers who are the only ones that can stop him from opening the gateway to hell.
When we get Sands making people look foolish, it was a wicked blast - from the sardonic wit to the sexed-up vibes and the graphic shocks heavily reliant on practical make-up effects (like the insane birth sequence?!). However when it was just the cornball love struck teens getting together, or preparing for their epic encounter my interest sort of dipped, and pacing stuttered. Luckily when the two forces come together in the final half-hour there's all kinds of crazy excess, flourishing visuals and magic jousting. Makes the wait well worth it.
Genre journeyman director Anthony Hickok shows ticker and provides few deft, and offbeat touches to how he framed some of the set-pieces. I must admit there were moments when the visual effects are beyond hokey (floating baseball), but the sheer absurdity of it makes up for it. I'm just surprised this follow-up didn't get a theatrical release, as it a solid offering.
When we get Sands making people look foolish, it was a wicked blast - from the sardonic wit to the sexed-up vibes and the graphic shocks heavily reliant on practical make-up effects (like the insane birth sequence?!). However when it was just the cornball love struck teens getting together, or preparing for their epic encounter my interest sort of dipped, and pacing stuttered. Luckily when the two forces come together in the final half-hour there's all kinds of crazy excess, flourishing visuals and magic jousting. Makes the wait well worth it.
Genre journeyman director Anthony Hickok shows ticker and provides few deft, and offbeat touches to how he framed some of the set-pieces. I must admit there were moments when the visual effects are beyond hokey (floating baseball), but the sheer absurdity of it makes up for it. I'm just surprised this follow-up didn't get a theatrical release, as it a solid offering.