So who's got the stolen jewels and what's with the motel owner's glum-looking wife. She may be sexy but she's a little weird. Seems someone at the motel has stolen the jewels from Floyd who's stolen them from a jewelry store. So Floyd better figure it all out or his crime partner Joe will figure a double-cross and use that pistol he's always caressing. If this sounds a little difficult, so's the screenplay. Reviewer sol-kay does a good job pointing out holes in the narrative, which undercut logic.
In terms of the cast-- well-known actor Eli Wallach may be headlined, probably for marquee purposes, but he really only turns up in the last third, bringing some much needed energy. Instead, bland Italian actor Testi gets the most screentime among the male performers. And of course there's Andress who gets to show her sexy body (as expected), plus a shot at being more than just that. Then there's cutie Barbara Bach who could have stolen the movie with a little more screen time.
For all the plot holes, the mystery surrounding the jewels manages to hold interest. Also, Michelle's dark psychology forms something of the movie's subtext. Unfortunately, Andress is not quite up to conveying this in effective form. Too bad, because a more nuanced turn could really set the movie apart from just a standard guessing game. To me, the movie squanders what's really promising material, namely, a study in Michelle's perverse psychology. Meanwhile, I'll be getting snow tires next time I travel north.
In terms of the cast-- well-known actor Eli Wallach may be headlined, probably for marquee purposes, but he really only turns up in the last third, bringing some much needed energy. Instead, bland Italian actor Testi gets the most screentime among the male performers. And of course there's Andress who gets to show her sexy body (as expected), plus a shot at being more than just that. Then there's cutie Barbara Bach who could have stolen the movie with a little more screen time.
For all the plot holes, the mystery surrounding the jewels manages to hold interest. Also, Michelle's dark psychology forms something of the movie's subtext. Unfortunately, Andress is not quite up to conveying this in effective form. Too bad, because a more nuanced turn could really set the movie apart from just a standard guessing game. To me, the movie squanders what's really promising material, namely, a study in Michelle's perverse psychology. Meanwhile, I'll be getting snow tires next time I travel north.