Ten year old heiress Donna Peyton (Donna Butterworth) spends two weeks with each of her six uncles to try and decide who is to be her new father, when it's patently obvious that her caring chauffeur Willard Woodward is the perfect candidate.
A vanity project written by, starring and directed by Jerry Lewis, The Family Jewels sees the comic actor playing seven different characters, thereby allowing him to run the gamut of his comedic repertoire: loveable (Willard), scatterbrained (old sea salt Uncle James), grouchy (circus clown Uncle Everett, who hates kids), zany (Uncle Eddie the pilot, who sounds a lot like Jack Lemmon from The Great Race), logical (private detective Uncle Skylock), and villainous (gangster Uncle Bugsy).
Films don't get more self-indulgent than this, Lewis milking his multiple roles for all they are worth, the star often over-egging the pudding, with many of the characters outstaying their welcome. Lewis is having so much fun doing his zany thing that he doesn't know when to call it quits and move on to the next segment. The result is a film that could have done with some judicious editing to remove the chaff, but I imagine Lewis's ego got in the way of that happening.
Butterworth is charming as the young rich girl who is constantly bemused by her many uncles' eccentric behaviour, and Lewis is at his best when he's playing loveable Willard, but overall there is way too much grandstanding from its star for this to be considered a success.
A vanity project written by, starring and directed by Jerry Lewis, The Family Jewels sees the comic actor playing seven different characters, thereby allowing him to run the gamut of his comedic repertoire: loveable (Willard), scatterbrained (old sea salt Uncle James), grouchy (circus clown Uncle Everett, who hates kids), zany (Uncle Eddie the pilot, who sounds a lot like Jack Lemmon from The Great Race), logical (private detective Uncle Skylock), and villainous (gangster Uncle Bugsy).
Films don't get more self-indulgent than this, Lewis milking his multiple roles for all they are worth, the star often over-egging the pudding, with many of the characters outstaying their welcome. Lewis is having so much fun doing his zany thing that he doesn't know when to call it quits and move on to the next segment. The result is a film that could have done with some judicious editing to remove the chaff, but I imagine Lewis's ego got in the way of that happening.
Butterworth is charming as the young rich girl who is constantly bemused by her many uncles' eccentric behaviour, and Lewis is at his best when he's playing loveable Willard, but overall there is way too much grandstanding from its star for this to be considered a success.