Daniel Kaluuya delivers another amazing performance and Jodie Turner-Smith can definitely hold her own on the big screen. The chemistry between the two works, yet to me the biggest credit goes to Melina Matsoukas who manages to direct this good story and maje it great. She creates many memorable scenes including the visit to the uncle, the glock-curious clerk, many quirky car scenes, and the best sex scene I have scene in years - visually and emotionally. She creates moods, tension and characters who we come to care deeply about. Pete Beaudreau's editing, with Margin Call 2011) credit, for this 132mins cut is also to be noted. He shines in the sex scene/riot dual storytelling and many other moments to advance and tell the story with suspense and continued interest.
Writing-wise, Slim's story about the origin of babies is well-written and acted. The screenplay holds lots of gems and character-building. Beyond its numerous plot twist, t is profound and real. It can be excused for its few deus ex machina moments and black/white overpolarization at times.
The post-climatic scenes are very well done and the choice of music throughout is stellar and appropriate, from R&B to Pimp rap.
Well-done Bonnie&Clydesque tale with a conscious and purpose.
Writing-wise, Slim's story about the origin of babies is well-written and acted. The screenplay holds lots of gems and character-building. Beyond its numerous plot twist, t is profound and real. It can be excused for its few deus ex machina moments and black/white overpolarization at times.
The post-climatic scenes are very well done and the choice of music throughout is stellar and appropriate, from R&B to Pimp rap.
Well-done Bonnie&Clydesque tale with a conscious and purpose.