This failed TV movie pilot is a pop-cultural oddity: An adaptation of Wonder Woman based partly on the brief five-year period of the comic when the character temporarily lost her super powers, as well as her classic costume and she was re-imagined as a non-super-powered, mod-dressing Emma Peel-esque adventurer. This pilot is also partly a precursor of the direction that the Lynda Carter series would eventually take in seasons two and three: Diana Prince being revamped into a James Bond-like ace operative of an UNCLE-esque top secret spy organization.
When this pilot TV movie was in pre-production development, Wonder Woman in the comic books was still in her "mod girl adventurer" phase at the time and the producers seemed unsure which direction to take with the character in the pilot, ("Classic" or "Mod"?) so they tried to split the difference and try to give us a little bit of both worlds! For the purposes of this patchwork pilot, the producers transformed & transitioned Wonder Woman from being a "Girl Adventurer" to being a "Spy Girl". A blonde-haired (!) Cathy Lee Crosby tries her level best to make this awkward composite characterization of Diana Prince seem almost plausible. (The problem is with the script, not with the actress!) She even has a couple of witty Bond-esque exchanges; one where she coolly rebuffs the smarmy sexual flirtations of the villain's chief henchman (a wonderfully oily Andrew Prine) and one where she playfully mentions in passing her invisible plane to the main villain (a masterfully silky-smooth Ricardo Montalbán) in a flirty exchange!
Instead of either her traditional classic costume or one of her mod new outfits from the current-at-the-time comic books, the producers once again decided to "split the difference" by outfitting Crosby in a re-imagined costume that looks more like a mod track suit, than a superhero costume. It's functional, plausible, and mundane. It doesn't look awful, just dull. Just imagine if Superman instead of wearing his classic costume, was wearing a blue & red sweat suit with a small red "S" shield on the side of the chest and you'll get the general idea!
In another odd & awkward blending of the "classic" and "mod" directions, there is a new character, Diana's feisty sister, Ahnjayla, (played by Anitra Ford) who seems to be loosely based upon Diana's feisty sister from the comic books, Nubia, who was then-recently introduced into the comic's continuity when Wonder Woman was re-revamped back into her classic costumed super-powered super-heroine persona in the comic books once more. The pilot tries it's best to blend both the classical and modern directions, but never entirely succeeding with either direction. The pilot producers should have chosen either one direction or the other, instead of hedging their bets and trying to blend both, ending-up in giving us neither! One year later, ABC & Warner Brothers tried again with a second Wonder Woman pilot, this time starring a super-powered & a much more traditionally-costumed Lynda Carter. This new "back-to-basics" pilot was a hit and the Lynda Carter series ran for three successful seasons.
So, perhaps this failed pilot's longest lasting legacy is the "Spy Girl" motif: When ABC later cancelled Wonder Woman after it's first season for being a far-too expensive World War Two era period piece, CBS picked-up the show for seasons two and three, with the proviso that the timeline of the show be moved-up to modern day, to keep costs down and so, Diana was re-imagined as an ace secret agent, once again! This cost-effective secret agent makeover saved the series, so at least that aspect of this failed pilot was proven to be right in retrospect. Just put Cathy Lee Crosby in a traditional Wonder Woman costume and a brunette wig, (Or simply re-cast Crosby with Lynda Carter!) and you would have a typical Wonder Woman episode from seasons two and three of the Lynda Carter series!
While this is not vintage classic Wonder Woman by a long shot, it is an interesting time capsule of Wonder Woman in a flux state of transition and of a long-forgotten failed pilot, valiantly trying and ultimately failing to capture the best of both worlds of Wonder Woman.
When this pilot TV movie was in pre-production development, Wonder Woman in the comic books was still in her "mod girl adventurer" phase at the time and the producers seemed unsure which direction to take with the character in the pilot, ("Classic" or "Mod"?) so they tried to split the difference and try to give us a little bit of both worlds! For the purposes of this patchwork pilot, the producers transformed & transitioned Wonder Woman from being a "Girl Adventurer" to being a "Spy Girl". A blonde-haired (!) Cathy Lee Crosby tries her level best to make this awkward composite characterization of Diana Prince seem almost plausible. (The problem is with the script, not with the actress!) She even has a couple of witty Bond-esque exchanges; one where she coolly rebuffs the smarmy sexual flirtations of the villain's chief henchman (a wonderfully oily Andrew Prine) and one where she playfully mentions in passing her invisible plane to the main villain (a masterfully silky-smooth Ricardo Montalbán) in a flirty exchange!
Instead of either her traditional classic costume or one of her mod new outfits from the current-at-the-time comic books, the producers once again decided to "split the difference" by outfitting Crosby in a re-imagined costume that looks more like a mod track suit, than a superhero costume. It's functional, plausible, and mundane. It doesn't look awful, just dull. Just imagine if Superman instead of wearing his classic costume, was wearing a blue & red sweat suit with a small red "S" shield on the side of the chest and you'll get the general idea!
In another odd & awkward blending of the "classic" and "mod" directions, there is a new character, Diana's feisty sister, Ahnjayla, (played by Anitra Ford) who seems to be loosely based upon Diana's feisty sister from the comic books, Nubia, who was then-recently introduced into the comic's continuity when Wonder Woman was re-revamped back into her classic costumed super-powered super-heroine persona in the comic books once more. The pilot tries it's best to blend both the classical and modern directions, but never entirely succeeding with either direction. The pilot producers should have chosen either one direction or the other, instead of hedging their bets and trying to blend both, ending-up in giving us neither! One year later, ABC & Warner Brothers tried again with a second Wonder Woman pilot, this time starring a super-powered & a much more traditionally-costumed Lynda Carter. This new "back-to-basics" pilot was a hit and the Lynda Carter series ran for three successful seasons.
So, perhaps this failed pilot's longest lasting legacy is the "Spy Girl" motif: When ABC later cancelled Wonder Woman after it's first season for being a far-too expensive World War Two era period piece, CBS picked-up the show for seasons two and three, with the proviso that the timeline of the show be moved-up to modern day, to keep costs down and so, Diana was re-imagined as an ace secret agent, once again! This cost-effective secret agent makeover saved the series, so at least that aspect of this failed pilot was proven to be right in retrospect. Just put Cathy Lee Crosby in a traditional Wonder Woman costume and a brunette wig, (Or simply re-cast Crosby with Lynda Carter!) and you would have a typical Wonder Woman episode from seasons two and three of the Lynda Carter series!
While this is not vintage classic Wonder Woman by a long shot, it is an interesting time capsule of Wonder Woman in a flux state of transition and of a long-forgotten failed pilot, valiantly trying and ultimately failing to capture the best of both worlds of Wonder Woman.