Even the most avid cineastes are unlikely to be familiar with this very late Joseph Losey opus. It was his penultimate film, made in France in 1982, and starring a young Isabelle Huppert and Jeanne Moreau and frankly, it's pretty terrible. Huppert is the small-town girl with a gay husband, (Jacques Spiesser), and ideas above her station who, after hustling a rich, middle-aged couple, (Moreau and Jean-Pierre Cassel), at, of all things, bowls ends up going to Japan with Cassel's business partner.
The kindest thing I can say about it is that it's a strange movie that is also strangely dated, (there's lots of bad disco music), and it features some of the worst acting that either Huppert or Moreau ever did. There's the flimsiest of plots involving high finance but this, like much else in the picture, is hard to fathom. The best performance comes from the Polish actor Daniel Olbrychski as that business partner of Cassel's who has the hots for Huppert but even he can't redeem this hollow, empty affair that, together with "Streaming", brought Losey's illustrious career to a sorry end.
The kindest thing I can say about it is that it's a strange movie that is also strangely dated, (there's lots of bad disco music), and it features some of the worst acting that either Huppert or Moreau ever did. There's the flimsiest of plots involving high finance but this, like much else in the picture, is hard to fathom. The best performance comes from the Polish actor Daniel Olbrychski as that business partner of Cassel's who has the hots for Huppert but even he can't redeem this hollow, empty affair that, together with "Streaming", brought Losey's illustrious career to a sorry end.