This reminds me of The Christie novels in which the lead is all-knowing and all-seeing. Twists at every turn, and most of the characters get turned on at least once! Unfortunately, every scene holds the possibility of a few seconds/words that twist the story more - so much that you lose track, or at least lose the ability to believe the action. It might be a good candidate to do over today with a less ambitious screenplay
Review of The Kremlin Letter
