Felicity Jones stars as Ruth Bader Ginsburg in this movie about how she came to argue a case in tax law and upturn two hundred years of Federal law and American culture about sexual stereotypes. Another reviewer says the movie is not political. I disagree. It is all political, from the opening scenes at Harvard Law, when the nine women in class are asked to justify their presence in place of nine similarly situated men, through the end, when she asks for justice. Times, she argues, have changed, and the law must change to reflect that. That change in attitudes may seem revolutionary, natural and proper in our society -- although there are still those who would deny it -- but the changes and arguments that led to those changes were purely political.
Director Mimi Leder directs this as a personal odyssey, and offers us characters living in the moment, from Armie Hammer cooking for his family to Justin Theroux and the ACLU lawyer who fights Mrs. Ginsburg over strategy and tactics. Central, of course, is Miss Jones as Mrs. Ginsburg. She is excellent, speaking in a muted Brooklyn accent that reminds me of my mother -- and which Mrs. Ginsburg did not use in her public appearances. It's hard to make history gripping, since we know how it came out. The movie succeeds because it offers us the inner turmoil of the people involved.
Director Mimi Leder directs this as a personal odyssey, and offers us characters living in the moment, from Armie Hammer cooking for his family to Justin Theroux and the ACLU lawyer who fights Mrs. Ginsburg over strategy and tactics. Central, of course, is Miss Jones as Mrs. Ginsburg. She is excellent, speaking in a muted Brooklyn accent that reminds me of my mother -- and which Mrs. Ginsburg did not use in her public appearances. It's hard to make history gripping, since we know how it came out. The movie succeeds because it offers us the inner turmoil of the people involved.