For one reason alone, I adore "Big City". This is because it marks the final screen appearance of Butch Jenkins, perhaps the least talented child star of all time. I always thought it odd that MGM, the biggest and most prestigious studio at the time, put so much energy into trying to make young Jenkins a star...and after 13 films the experiment was (thankfully) over!
The story is a very contrived and hard to believe....so I suggest you just turn off that pesky brain of yours and watch! It begins with three bachelors finding a baby girl and all three agreeing to raise her. To make it more tough to believe, one's a Jewish cantor (Danny Thomas), one's a Protestant minister (Robert Preston) and one's a Catholic cop (George Murphy). However nice this arrangement is, it cannot continue forever, as the men start meeting women and want to marry and settle down. So what is going to happen to little Midge (Margaret O'Brien)?
This is an odd film because although the plot doesn't sound like there should be tons of music, the film is chock full of musical numbers...mostly by Thomas and Betty Garrett...though you also hear from George Murphy and O'Brien (though she's dubbed). I honestly think having a few less songs would have helped the story, as it really didn't seem conducive to so much music. Other than that, the film is enjoyable...even if O'Brien is a bit older and not quite as cute as she'd been in prior films. I was prepared to give it a 7 but the end was so schmaltzy that I couldn't see scoring it this highly.
The story is a very contrived and hard to believe....so I suggest you just turn off that pesky brain of yours and watch! It begins with three bachelors finding a baby girl and all three agreeing to raise her. To make it more tough to believe, one's a Jewish cantor (Danny Thomas), one's a Protestant minister (Robert Preston) and one's a Catholic cop (George Murphy). However nice this arrangement is, it cannot continue forever, as the men start meeting women and want to marry and settle down. So what is going to happen to little Midge (Margaret O'Brien)?
This is an odd film because although the plot doesn't sound like there should be tons of music, the film is chock full of musical numbers...mostly by Thomas and Betty Garrett...though you also hear from George Murphy and O'Brien (though she's dubbed). I honestly think having a few less songs would have helped the story, as it really didn't seem conducive to so much music. Other than that, the film is enjoyable...even if O'Brien is a bit older and not quite as cute as she'd been in prior films. I was prepared to give it a 7 but the end was so schmaltzy that I couldn't see scoring it this highly.