Often crass, crude dialogue and otherwise humor includes casual racism and sexism, informing us right away how very unserious 'Bitten' is with further emphasis provided by pointedly inelegant transitions. It's also hard to ignore the casting of Jason Mewes as the protagonist - I'm not sure that I've ever seen him in a movie that wasn't a Kevin Smith production, and his involvement gives the title a particular flavor in and of itself. The writing and execution is direct and forthright, unbothered by notions of subtlety or delicacy. Against all odds, it's that latter aspect that allows the film to offer a few laughs, as we can't help but take morbid glee in some of the drily depicted incongruities. Factor in occasional cleverness, and this is a reasonably good time.
Everything that contrasts with the inherent horror of the scenario helps to build the real comedy: the wardrobe selections, the soundtrack, the romance and sensuality. To that same end, the camera lingers lasciviously on Erica Cox's body, including nudity. Yet that occasional focus never feels tasteless, as it's always employed with either a tasteful, arguably artistic hand, or in the spirit of outrageous joviality.
With that said - against all odds, I actually really like Cox's performance, portraying hapless, hungry Danika with surprising poise, range, and nuance that I appreciate. Mewes' turn as protagonist Jack isn't especially remarkable - the character is less exaggerated and comical than the part of Jay that made him famous, yet quite similar all the same - but he suitably fills the role to help bring the picture to life. It's also worth noting Richard Fitzpatrick as Jack's coworker and friend Roger, a put-upon, sometimes oafish man who nonetheless acts as a mentor and voice of reason.
I appreciate the blood and makeup, and there's unexpectedly swell consideration for light and shadow in the film. Though unquestionably uncouth, unrefined, and rough around the edges, the movie is made pretty solidly overall - and I admire the chuff of including a last, brief scene, following the credits, that concludes it all with a decidedly dark flourish upending the broad tone eliciting entertainment. It's not perfect, and certainly not essential, but ultimately I'm pleased that it's more enjoyable and simply fun than not. As far as horror-comedies go, 'Bitten' is pretty decent, and it's worth a look if you come across it.
Everything that contrasts with the inherent horror of the scenario helps to build the real comedy: the wardrobe selections, the soundtrack, the romance and sensuality. To that same end, the camera lingers lasciviously on Erica Cox's body, including nudity. Yet that occasional focus never feels tasteless, as it's always employed with either a tasteful, arguably artistic hand, or in the spirit of outrageous joviality.
With that said - against all odds, I actually really like Cox's performance, portraying hapless, hungry Danika with surprising poise, range, and nuance that I appreciate. Mewes' turn as protagonist Jack isn't especially remarkable - the character is less exaggerated and comical than the part of Jay that made him famous, yet quite similar all the same - but he suitably fills the role to help bring the picture to life. It's also worth noting Richard Fitzpatrick as Jack's coworker and friend Roger, a put-upon, sometimes oafish man who nonetheless acts as a mentor and voice of reason.
I appreciate the blood and makeup, and there's unexpectedly swell consideration for light and shadow in the film. Though unquestionably uncouth, unrefined, and rough around the edges, the movie is made pretty solidly overall - and I admire the chuff of including a last, brief scene, following the credits, that concludes it all with a decidedly dark flourish upending the broad tone eliciting entertainment. It's not perfect, and certainly not essential, but ultimately I'm pleased that it's more enjoyable and simply fun than not. As far as horror-comedies go, 'Bitten' is pretty decent, and it's worth a look if you come across it.