6/10
Axis Sally on Trial
21 November 2021
Warning: Spoilers
For some reason, as a kid, I went through the newspaper. Not sure how much I took in. But I remember some stories. One was about the release of Mildred Gillars, better known as Axis Sally. This would have been in 1961. I can remember my father didn't have very nice things to say about her.

American Traitor purports to tell the story of Gillars and presents her sympathetically. She was an American wanting to make it in show business who moved to Paris and then to Berlin in the 1930s. When the U. S. government told Americans to get out, she stayed because of her fiance (who was later killed in the service).

Originally she worked on the radio, reading propaganda to keep the U. S. out of joining Britain in the war. Once the U. S. got into the war, however, she no longer wanted to do that work and wanted to go home.

However, it was too late. The Germans had her passport and papers, and she either continued to read the scripts they gave her or have a very unpleasant time of it. She complied.

In this version of events, she was forced into sleeping with Goebbels (Thomas Kretschmann). He also beat her when she changed a word in a script. No way of knowing if these things are true. She was involved with Max Otto Koischwitz (Carsten Norgaard), who was her producer and whom she cared about very deeply.

Al Pacino plays her attorney, James J. Laughlin, and Sven Temmel is Billy Owen, his second chair (there is a small interview with Owen during the final credits). Laughlin's premise was that Gillars did what she had to do in order to survive, and that none of us know what we would have done. It's something to think about.

Meadow Williams is Mildred, and though the actress is 55 years old, she looks younger than the real Mildred, who was actually 44 or so at the time of her arrest. She uses a soft voice and a whiny, off key singing voice in the role.

Pacino as usual plays to the balcony but is believable as a no-nonsense attorney.

This was a vanity production of Williams, who inherited $8 million from her late husband. Production values suggest she has plenty of money left over.
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