We get to know these characters so intimately, we feel they are our friends and at the same time strangers we discover more and more. The 5 hours 17 mins are perfect and every minute worthwhile. I would even love to continue another 5 more hours and continue to see these interesting lives unfold.
It is my first Ryûsuke Hamaguchi film and surely not the last. His incorporation of art and amazing stories into the narrative with vignettes of every day contemplation mixed with big events and poignant scenes are masterful. A few standout scenes are:
A life-affirming course by an artist A writer reading a short story and sublime Q&A A stranger in the bus talking about her father An estranged wife unwelcoming her husband into her temporary home A couple dealing with their son's transgression A nurse scolding a younger nurse about life and death A woman talking to the sister of the man she likes about sex and love
At the center, there are often friends around a table with sublime dialog and lowkey acting. The nonverbal interactions are extremely effective at conveying intrigue, tension and sympathy. We understand the complicated lives of these four women and the people around them in great detail with non-judgmental equanimity. The story is poetic like Edward Yang's "Yi Yi", but not as funny. It also reminds me of Chang-dong Lee's "Poetry". It is however very much its own film and with its on pace and universe.
At times, it shows a somewhat bleak reality of failing relationships and discovery but with so much insight and artistic enhancement. A masterpiece in all aspects that never feels forced, by always allowing introspection and growth, and showing the complexity of life and people. It invites us to observe, it expands our boundaries slowly, it questions and reflects. The moving parts are so well woven together, and the attentive viewer never misses a beat or gets bored. We are there with the characters and events, at the table with them, in their homes or in vacation, at the tumultuous crucial reading and its aftermaths.
A movie that redefines movie-making in its impeccable vision and visceral journey.
It is my first Ryûsuke Hamaguchi film and surely not the last. His incorporation of art and amazing stories into the narrative with vignettes of every day contemplation mixed with big events and poignant scenes are masterful. A few standout scenes are:
A life-affirming course by an artist A writer reading a short story and sublime Q&A A stranger in the bus talking about her father An estranged wife unwelcoming her husband into her temporary home A couple dealing with their son's transgression A nurse scolding a younger nurse about life and death A woman talking to the sister of the man she likes about sex and love
At the center, there are often friends around a table with sublime dialog and lowkey acting. The nonverbal interactions are extremely effective at conveying intrigue, tension and sympathy. We understand the complicated lives of these four women and the people around them in great detail with non-judgmental equanimity. The story is poetic like Edward Yang's "Yi Yi", but not as funny. It also reminds me of Chang-dong Lee's "Poetry". It is however very much its own film and with its on pace and universe.
At times, it shows a somewhat bleak reality of failing relationships and discovery but with so much insight and artistic enhancement. A masterpiece in all aspects that never feels forced, by always allowing introspection and growth, and showing the complexity of life and people. It invites us to observe, it expands our boundaries slowly, it questions and reflects. The moving parts are so well woven together, and the attentive viewer never misses a beat or gets bored. We are there with the characters and events, at the table with them, in their homes or in vacation, at the tumultuous crucial reading and its aftermaths.
A movie that redefines movie-making in its impeccable vision and visceral journey.