The way people react to difficulties tells us a lot about them. There are those who get hysterical, there are those who care more about others than themselves, there are those who do the exact opposite and there are those who take everything calmly and try to act rationally. Illness and death are situations that no one likes to think about... but they are inevitabilities of life, and the way we face them tells us a lot about who we are. Patch Addams is a real-life doctor who advocates the use of joy and humor as part of medical therapy, and I agree with him. Here in Portugal, we even have a popular saying about it: laughs is always the best medicine.
In this film, we see Patch Addams' life course since he was admitted to a psychiatric clinic. The film is eloquent in the way it reveals the resistance of his university, which defended more impersonal methodologies, putting more distance between the doctor and his patient, and in the way it shows the modest beginning of the Gesundheit Institute, founded by Patch according to his view of medicine and medical practice. I don't know if the film was rigorous (I don't think so, since even Patch Addams himself repudiated the way he was portrayed by the film), but the truth is that the script works quite well, balancing between the funny and the sugary, and brings us a topic that makes us think.
I'm glad Robin Williams was chosen as the main character. He was the ideal person to give it a touch of irreverence that manages to kick the comedy to a level of true madness. It's not the actor's best work, but it's in the top ten. In total contrast, we have the characters of Phillip Seymour Hoffmann and Bob Gunton: the first is the model medicine student, studious, serious and committed, but also envious of his irreverent colleague; the second is the dean of the medical faculty, determined to forbid Patch's graduation despite the excellent grades he obtains in the several disciplines. They are cliché characters, quite stereotyped, but they work thanks to the performance of both actors, who give us a job of merit. Monica Potter is less interesting. She's pretty, but the chemistry with Williams is nil and their romance never feels as intense and solid as it should. The rest of the cast does what need to be done, without great notes to highlight.
The film is not a visual or effects show... that is not even desirable here. With such a solid story and good humorous premises, it is the script and actors that should be given the spotlight, and that is precisely what happens. Thus, we have a discreet cinematography that offers us an elegant look, but it does not stand out, with warm tones and good light and sharpness. The costumes and sets are within what we could expect, no surprises, and the filming locations were well-chosen. I especially liked some landscapes, like the mountains where Patch decides to found his hospital. The soundtrack harmonizes with this discreet tonic thanks to an orchestral and smooth sound.
In this film, we see Patch Addams' life course since he was admitted to a psychiatric clinic. The film is eloquent in the way it reveals the resistance of his university, which defended more impersonal methodologies, putting more distance between the doctor and his patient, and in the way it shows the modest beginning of the Gesundheit Institute, founded by Patch according to his view of medicine and medical practice. I don't know if the film was rigorous (I don't think so, since even Patch Addams himself repudiated the way he was portrayed by the film), but the truth is that the script works quite well, balancing between the funny and the sugary, and brings us a topic that makes us think.
I'm glad Robin Williams was chosen as the main character. He was the ideal person to give it a touch of irreverence that manages to kick the comedy to a level of true madness. It's not the actor's best work, but it's in the top ten. In total contrast, we have the characters of Phillip Seymour Hoffmann and Bob Gunton: the first is the model medicine student, studious, serious and committed, but also envious of his irreverent colleague; the second is the dean of the medical faculty, determined to forbid Patch's graduation despite the excellent grades he obtains in the several disciplines. They are cliché characters, quite stereotyped, but they work thanks to the performance of both actors, who give us a job of merit. Monica Potter is less interesting. She's pretty, but the chemistry with Williams is nil and their romance never feels as intense and solid as it should. The rest of the cast does what need to be done, without great notes to highlight.
The film is not a visual or effects show... that is not even desirable here. With such a solid story and good humorous premises, it is the script and actors that should be given the spotlight, and that is precisely what happens. Thus, we have a discreet cinematography that offers us an elegant look, but it does not stand out, with warm tones and good light and sharpness. The costumes and sets are within what we could expect, no surprises, and the filming locations were well-chosen. I especially liked some landscapes, like the mountains where Patch decides to found his hospital. The soundtrack harmonizes with this discreet tonic thanks to an orchestral and smooth sound.