Director Berardo Carboni stages a small title which, although not entirely successful, offers interesting insights and several moments highlighted by the intriguing camera movements that illustrate in a direct and uncensored way the pain felt by all the characters, who literally and metaphorically undress in front of the screen in an exemplary way, starting with the young Matilda De Angelis who demonstrates all the frankness that hides the fragility with which she voluntarily lends herself to satisfy the fantasies of the users, and the relationship with the increasingly desperate Laura portrayed very well by Donatella Finocchiaro, while Alessandro Haber shows all the depravity mixed with pure dissatisfaction of a man destroyed by the apparent emptiness that struck him in his relationship with loved ones and in a life where all the most precious moments are senseless.
All the characters seek in the body, their own and that of others, an escape route, a solution to their problems of various kinds which, however, is not found as their the spirit is further buried depriving them of real fulfillment, trying to recover what has been lost with shortcuts that move away from reality, unable to build real relationships and imprisoned in the web searching an ephemeral consolation devoid of any solid concreteness, thus losing those few grams of human awareness, lowering with the growing risk of never getting up again.
All the characters seek in the body, their own and that of others, an escape route, a solution to their problems of various kinds which, however, is not found as their the spirit is further buried depriving them of real fulfillment, trying to recover what has been lost with shortcuts that move away from reality, unable to build real relationships and imprisoned in the web searching an ephemeral consolation devoid of any solid concreteness, thus losing those few grams of human awareness, lowering with the growing risk of never getting up again.