Apart from its lovely Croatian setting, the best parts of The Weekend Away include a pretty good showing from Leighton Meester and an intriguing first act. About one-thirds in, I realized that this would be nothing more than a formulaic thriller sans any deeper narrative arcs. And the film didn't attempt anything to prove me wrong. It uses the same tropes as a dozen similar murder-mystery thrillers before it. Some of them include adultery and voyeurism angles, a stranger who's unflinchingly ready to help, and a couple of throwaway twists. Where the film utterly fails is in showcasing the friendship between the protagonist and the murdered woman, not giving us enough material to even consider a deeper, more psychologically driven angle. The Weekend Away seems content sticking to its barebones, neither giving Meester a worthwhile outing nor being a pulpy little mystery.
Review of The Weekend Away
