There was a time in cinematic history where making a perceived "kids" film had one core question at heart. Do we want to entertain the kids or do we want to traumatize the kids? I kid you not, this era existed in the late 70s and the early to mid 80s. Filmmakers still made kid friendly films which we see today, but they also wanted to fill kids with a sense of existential dread. Ironically, the studio that started this was Disney.
Ray Bradbury was still something of a household name in the 70s and 80s, so having him adapt a screenplay of his own work was a no brainer. However, that popularity was largely on its last legs in 1983, but he at least made one last mark with Something Wicked This Way Comes. It's starts innocently enough, as the small sleepy town of Greenwood, Illinois (a frequently used town in Bradbury's oeuvre) begins yet another day. However, that quiet is brought to an end when Mr. Dark's Pandemonium Carnival hits town. It looks fairly innocuous, but there is a dark and sinister force controlling and manipulating this carnival.
Jonathan Price is by no means scary or intimidating, and this is why his turn as Mr. Dark (or G. M. Dark for us Bradbury fans) is so damn chilling. His slight accent, his all knowing knowledge of people's hidden desires and the outright disregard for the very bargains he makes. His Faustian turn as the leader of The Autumn People makes him one of the most bone chilling antagonists of the 80s. I will gladly fight anyone for that statement. His first run-in with Charles Halloway is the stuff of nightmares.
And speaking of nightmares, this film intentionally played on the many assorted nightmares of children. While Return to Oz would be the primer for scaring and traumatizing kids, this one was pretty close. The worst aspect it did bring up was two fold...the death of a parent and disappointment in yourself and your children's eyes. I would venture to say this film would slightly agitate a decent swath of viewers.
In spite of all the implied danger and darkness, this film does have its weaknesses. The special effects just weren't good enough to match the event of the story at the time and the two boys were rather wooden in acting. But on the other hand, the rest of the movie is so beautiful to look at you just kinda wish Disney would finally remake this film (along with Condorman!). However, I don't know if they could replace Jonathan Price and Jason Robards. The scenes they had together are show stoppers, and the simple body effects and implied horror would be replaced with boring CGI.
I won't pretend this is an amazing movie. It has flaws for sure, but it kinda makes you long for more of this kind of output from Disney rather than the never ending stream of comic books and endless franchises.
Ray Bradbury was still something of a household name in the 70s and 80s, so having him adapt a screenplay of his own work was a no brainer. However, that popularity was largely on its last legs in 1983, but he at least made one last mark with Something Wicked This Way Comes. It's starts innocently enough, as the small sleepy town of Greenwood, Illinois (a frequently used town in Bradbury's oeuvre) begins yet another day. However, that quiet is brought to an end when Mr. Dark's Pandemonium Carnival hits town. It looks fairly innocuous, but there is a dark and sinister force controlling and manipulating this carnival.
Jonathan Price is by no means scary or intimidating, and this is why his turn as Mr. Dark (or G. M. Dark for us Bradbury fans) is so damn chilling. His slight accent, his all knowing knowledge of people's hidden desires and the outright disregard for the very bargains he makes. His Faustian turn as the leader of The Autumn People makes him one of the most bone chilling antagonists of the 80s. I will gladly fight anyone for that statement. His first run-in with Charles Halloway is the stuff of nightmares.
And speaking of nightmares, this film intentionally played on the many assorted nightmares of children. While Return to Oz would be the primer for scaring and traumatizing kids, this one was pretty close. The worst aspect it did bring up was two fold...the death of a parent and disappointment in yourself and your children's eyes. I would venture to say this film would slightly agitate a decent swath of viewers.
In spite of all the implied danger and darkness, this film does have its weaknesses. The special effects just weren't good enough to match the event of the story at the time and the two boys were rather wooden in acting. But on the other hand, the rest of the movie is so beautiful to look at you just kinda wish Disney would finally remake this film (along with Condorman!). However, I don't know if they could replace Jonathan Price and Jason Robards. The scenes they had together are show stoppers, and the simple body effects and implied horror would be replaced with boring CGI.
I won't pretend this is an amazing movie. It has flaws for sure, but it kinda makes you long for more of this kind of output from Disney rather than the never ending stream of comic books and endless franchises.