Like its predecessor, this film offers us a successful parody of 1960s films in terms of style and technique, increased dark humor compared to the first film, remarkable style, and a Jean Du Jardin who consistently exudes irreplaceable charm.
The criticism implicit in some of the jokes, especially about the extent of collaboration, is also remarkable, a sign that the humor here is not merely superficial.
More generally, it is refreshing to have such politically incorrect humor. This is a film that is aware of its audience's intelligence to see beyond mere humorous provocation. That's what's missing in this day and age.
Also, Bill Tremendous' character is hilarious and memorable. The first scene with him takes your breath away.
The criticism implicit in some of the jokes, especially about the extent of collaboration, is also remarkable, a sign that the humor here is not merely superficial.
More generally, it is refreshing to have such politically incorrect humor. This is a film that is aware of its audience's intelligence to see beyond mere humorous provocation. That's what's missing in this day and age.
Also, Bill Tremendous' character is hilarious and memorable. The first scene with him takes your breath away.