Buster Keaton was looking forward to talking pictures since everyone agreed his voice was a good fit for the new technology. He wanted to make his final silent movie, 1929's "Spite Marriage," as his talkie debut. But MGM producers had a different opinion. The studio kept the 1929 movie as a silent while scheduling his March 1930 "Free And Easy" as Keaton's first sound picture. He plays Elmer Butts, a gas station attendant dragged by the winner of a local beauty pageant, Miss Gopher, Elvira (Anita Page), and her overbearing mother (Trixie Friganza) to chaperon them as they travel cross country to be screen tested by MGM in Hollywood.
Unlike the majority of his past films that portrayed his characters consistently emerging as the hero and winning his gals in the end despite a series of obstacles, in "Free And Easy," he's the smacked around throughout the movie looking like a loser. To add insult to injury, Keaton finds himself dressed up as a fat clown prancing on stage in a lengthy finale musical number. Buster called this sequence the most ridiculous thing he had ever done. As writer Robert Sherwood wrote "Buster Keaton, trying to imitate a standard musical comedy clown, is no longer Buster Keaton and no longer funny." To rub his character's humiliation deep into his face, MGM writers had Keaton attached to strings acting as a marionette puppet in the clown suit. Buster's biographer describes the scene symbolically as MGM's treatment to the once brilliant comic. But the studio was happy with the theater receipts. "Free And Easy" became a bigger financial success than most of his silent classics.
Unlike the majority of his past films that portrayed his characters consistently emerging as the hero and winning his gals in the end despite a series of obstacles, in "Free And Easy," he's the smacked around throughout the movie looking like a loser. To add insult to injury, Keaton finds himself dressed up as a fat clown prancing on stage in a lengthy finale musical number. Buster called this sequence the most ridiculous thing he had ever done. As writer Robert Sherwood wrote "Buster Keaton, trying to imitate a standard musical comedy clown, is no longer Buster Keaton and no longer funny." To rub his character's humiliation deep into his face, MGM writers had Keaton attached to strings acting as a marionette puppet in the clown suit. Buster's biographer describes the scene symbolically as MGM's treatment to the once brilliant comic. But the studio was happy with the theater receipts. "Free And Easy" became a bigger financial success than most of his silent classics.