After her mother dies, Inga (former ballet dancer Marie Liljedahl, who really hit the trifecta of late sixties sleaze being in this Joe Sarno movie and its sequel The Seduction of Inga, Massimo Dallamano's Dorian Gray and Jess Franco's Eugenie... The Story of Her Journey into Perversion; she retired from acting by the time she was 21) goes to live with her aunt Greta (Monica Strömmerstedt), who only wants to set her up with a rich older man named Einar (Thomas Ungewitter) and make money off of her. Yet once Inga meets Karl (Casten Lassen) - her aunt's younger lover - she runs from this rich world of decadence.
In November of 1969, the police busted into the Dakota Theater in Grand Forks, ND and arrested the manager and the projectionist, charging them with running an obscene film. They were found not guilty, which was a major step toward legally showing pornography.
That said - this is quite tame by today's standards. And it's filled with so much story and emotional content, it's hard to compare it to what pornography has become.
There's a gorgeous scene in the beginning of this as Inga, nude but for a diaphanous nightgown, takes a series of wind-up toys and lets them race across the floor in front of her. Inga continues to return to these toys as her sexuality is awakened and her innocence left behind.
The film is just as much about Greta, a gorgeous yet aging woman clinging to her youth by dating increasingly younger men which comes with it a price: these young men need money to stay around, not love or sex.
Sometimes, the feeling of sin is better than the sin itself.
In November of 1969, the police busted into the Dakota Theater in Grand Forks, ND and arrested the manager and the projectionist, charging them with running an obscene film. They were found not guilty, which was a major step toward legally showing pornography.
That said - this is quite tame by today's standards. And it's filled with so much story and emotional content, it's hard to compare it to what pornography has become.
There's a gorgeous scene in the beginning of this as Inga, nude but for a diaphanous nightgown, takes a series of wind-up toys and lets them race across the floor in front of her. Inga continues to return to these toys as her sexuality is awakened and her innocence left behind.
The film is just as much about Greta, a gorgeous yet aging woman clinging to her youth by dating increasingly younger men which comes with it a price: these young men need money to stay around, not love or sex.
Sometimes, the feeling of sin is better than the sin itself.