Among the Shakespearean comedies known as the "problem plays," MEASURE FOR MEASURE is especially problematic. The sumptuous language is glorious (albeit intermittently opaque), but the characterization is troubling. Though the Duke is clearly presented as a character to be assessed favorably, his devious manipulation of the other characters and his presumptuousness in his closing interaction with Isabella are disturbing.
Still, this production is superb. The acting is impeccable throughout, with an especially riveting performance by Kate Nelligan as Isabella and with very strong performances by Christopher Strauli as Claudio, Tim Pigott-Smith as Angelo, John McEnery as Lucio, Frank Middlemass as Pompey, Jacqueline Pearce as Mariana, Kevin Stoney as Escalus, Alun Armstrong as the Provost, Ellis Jones as Elbow, and Yolande Palfrey as Juliet. Kenneth Colley in the central role as the Duke is also impressive, though he sometimes moves or positions his body quite curiously.
The sets are fine, and the generally dark lighting (until the final scene) befits the ethical atmosphere of Vienna. The very short fifth scene of Act IV is undamagingly omitted, and there is some modest trimming elsewhere; but the vast majority of the lines are delivered uncut. The BBC performed a great public service with this production.
Still, this production is superb. The acting is impeccable throughout, with an especially riveting performance by Kate Nelligan as Isabella and with very strong performances by Christopher Strauli as Claudio, Tim Pigott-Smith as Angelo, John McEnery as Lucio, Frank Middlemass as Pompey, Jacqueline Pearce as Mariana, Kevin Stoney as Escalus, Alun Armstrong as the Provost, Ellis Jones as Elbow, and Yolande Palfrey as Juliet. Kenneth Colley in the central role as the Duke is also impressive, though he sometimes moves or positions his body quite curiously.
The sets are fine, and the generally dark lighting (until the final scene) befits the ethical atmosphere of Vienna. The very short fifth scene of Act IV is undamagingly omitted, and there is some modest trimming elsewhere; but the vast majority of the lines are delivered uncut. The BBC performed a great public service with this production.