In the early 1950's, young college student Tom Hulce takes a summer job as the prop master for a summer stock theater company in Cleveland, Ohio. He finds himself pulled away from his Pre-Med studies and towards the theater, partly by his friendship with struggling New York actor Frank Langella and partly through a romance with dancer Glynnis O'Connor.
You basically know how this movie will play out. Hulce's father, the great Jerry Stiller, will pressure him to focus on school, but he won't listen, but then a great reversal will drive him back to his old life before a compromise is reached at the film's climax. It's all formula and this film really doesn't deviate from it.
That's not really a bad thing. Formulas exist for a reason and how well a formulaic film works has a lot to do with the actors and whatever colour the script adds. This film really doesn't work, and surprisingly it's mostly because of Hulce. He made this between "Animal House" and ":Amadeus", and maybe it's his relative inexperience or maybe he's just woefully miscast, but he's not good in this film and he drags it down.
You basically know how this movie will play out. Hulce's father, the great Jerry Stiller, will pressure him to focus on school, but he won't listen, but then a great reversal will drive him back to his old life before a compromise is reached at the film's climax. It's all formula and this film really doesn't deviate from it.
That's not really a bad thing. Formulas exist for a reason and how well a formulaic film works has a lot to do with the actors and whatever colour the script adds. This film really doesn't work, and surprisingly it's mostly because of Hulce. He made this between "Animal House" and ":Amadeus", and maybe it's his relative inexperience or maybe he's just woefully miscast, but he's not good in this film and he drags it down.