Much to my pleasant surprise, Prey for the Devil actually does have a sufficiently unique and compelling take on the possession sub-genre. Early on, the script introduces character background and thematic depth that causes the plot to largely be driven by an emotional core.
In this film, unwillingness to forgive oneself becomes a poison that causes a person to lose themselves and gives demons power to take over their minds. Only complete and total self-forgiveness can eliminate the demonic threat in such cases.
I loved this addition to the story, as it gave me something to root for beyond the rote plot machinations.
I really just wish that the rest of the film was as compelling as this, because in terms of visual execution and story beats, this movie is as generic as they come.
It's shockingly uninspired in its direction and in the set-up of its scares. Never once is it surprising or stunning. The actors give it their all but they really don't have anything to work with, as all the development was given to the themes and no room was left to tell us anything specific about the characters as they are in the present.
The director used a lot of handheld camera work and close-ups, and this is sad as it doesn't utilise the insane potential of the gorgeous, often spacious location the film is set in.
If a more artistically daring director had taken this script, they could have made it incredible. Instead, it's pretty middle-of-the-road.
In this film, unwillingness to forgive oneself becomes a poison that causes a person to lose themselves and gives demons power to take over their minds. Only complete and total self-forgiveness can eliminate the demonic threat in such cases.
I loved this addition to the story, as it gave me something to root for beyond the rote plot machinations.
I really just wish that the rest of the film was as compelling as this, because in terms of visual execution and story beats, this movie is as generic as they come.
It's shockingly uninspired in its direction and in the set-up of its scares. Never once is it surprising or stunning. The actors give it their all but they really don't have anything to work with, as all the development was given to the themes and no room was left to tell us anything specific about the characters as they are in the present.
The director used a lot of handheld camera work and close-ups, and this is sad as it doesn't utilise the insane potential of the gorgeous, often spacious location the film is set in.
If a more artistically daring director had taken this script, they could have made it incredible. Instead, it's pretty middle-of-the-road.