There was such a dissonance between the story and the actors. Did the director and casting unit not read their own script before they congregated 40-year-old men to play the role of boys on the cusp of manhood? I could forgive most things but this one issue completely drew me out of the story. To compound that, wardrobe choices in the first half had the men in ill-fitting clothing and atrocious hair pieces. Again, that diluted the authenticity of the story.
The best part about this was watching the family dynamic, especially Minglan's relationship with her grandmother. So precious. Likewise, Ming's sizzling relationship with Gu Tingye in the second half. So hot. Yet, even these couldn't offset the evil that permeated the entire story. It was too much and it dragged on for far too long. Yes I know, the villain is very villainy but did we need to see her repeat the same playacting over the course of 40 or more episodes?
Did we need all that back and forth at the Gu mansions? Did we need to see the minutiae of their daily lives, especially the ubiquitous eating? Did the characters in the Sheng family have to speak obliquely when they all could have benefitted from some showdowns and home truths? Minglan's father was a waste of space and to think three women were actually fighting over him. Why would Tingye risk the lives of Minglan and his children just to save the Emperor? Have the heavens fallen?
Seventy-three episodes is a lot no matter how lovely or compelling the story and sadly this drama was unconvincing.
The best part about this was watching the family dynamic, especially Minglan's relationship with her grandmother. So precious. Likewise, Ming's sizzling relationship with Gu Tingye in the second half. So hot. Yet, even these couldn't offset the evil that permeated the entire story. It was too much and it dragged on for far too long. Yes I know, the villain is very villainy but did we need to see her repeat the same playacting over the course of 40 or more episodes?
Did we need all that back and forth at the Gu mansions? Did we need to see the minutiae of their daily lives, especially the ubiquitous eating? Did the characters in the Sheng family have to speak obliquely when they all could have benefitted from some showdowns and home truths? Minglan's father was a waste of space and to think three women were actually fighting over him. Why would Tingye risk the lives of Minglan and his children just to save the Emperor? Have the heavens fallen?
Seventy-three episodes is a lot no matter how lovely or compelling the story and sadly this drama was unconvincing.