Godard is a new experience for me--over the summer, I watched La Chinoise for about 20 minutes at a time. It was somehow taxing, but very rewarding to think about. I found myself yearning to see Godard's colors and the snappy transitions between blunt dialogues. So it surprised me that this film is predominantly black--there is more negative space than any other film I've seen. To some people it could be unbearably monotonous, but it definitely makes a lasting impression.
There is some good humor, but overall Godard seems very deadpan. In a way, I thought this must have been a major inspiration for Wes Anderson's sense of color and dialogue pacing. Meanwhile the content speaks to some of my favorite literary interests, like William S. Burroughs, Marshal McLuhan, and of course my main man Jacques Ellul. La Technique!
Not a party film, nor a relaxing watch. Sit meditative and delve in the atypical presentation of Godard's ideas. Surreal, and France in the 60s is interesting enough beyond that. Stylish as hell.
There is some good humor, but overall Godard seems very deadpan. In a way, I thought this must have been a major inspiration for Wes Anderson's sense of color and dialogue pacing. Meanwhile the content speaks to some of my favorite literary interests, like William S. Burroughs, Marshal McLuhan, and of course my main man Jacques Ellul. La Technique!
Not a party film, nor a relaxing watch. Sit meditative and delve in the atypical presentation of Godard's ideas. Surreal, and France in the 60s is interesting enough beyond that. Stylish as hell.