This is a delightful fantasy operetta romp through American history, with a score by Kurt Weill and lyrics by Ira Gershwin.
Bill Morgan (Fred MacMurray) wants to join the Army but is ruled 4F. Instead, he is put in charge of local scrap recycling. He breaks a lamp, and frees a genie. Morgan tell the genie he wants to get into the Army--but doesn't mention which century he wants. Morgan's girlfriends Sally (Joan Leslie) and Lucilla (June Haver) accompany him through the centuries.
The fine score carries the film through and past its sillier moments. Leslie has the best song - "If Love Remains". The Christopher Columbus segment is done as an opera with MacMurray breaking up the grand opera with a patter song in the style of Gilbert and Sullivan. Haver is the liveliest of the three, as a born con woman, throughout the centuries. Watch for Anthony Quinn and read the traffic signs--no matter what century they're in.
Bill Morgan (Fred MacMurray) wants to join the Army but is ruled 4F. Instead, he is put in charge of local scrap recycling. He breaks a lamp, and frees a genie. Morgan tell the genie he wants to get into the Army--but doesn't mention which century he wants. Morgan's girlfriends Sally (Joan Leslie) and Lucilla (June Haver) accompany him through the centuries.
The fine score carries the film through and past its sillier moments. Leslie has the best song - "If Love Remains". The Christopher Columbus segment is done as an opera with MacMurray breaking up the grand opera with a patter song in the style of Gilbert and Sullivan. Haver is the liveliest of the three, as a born con woman, throughout the centuries. Watch for Anthony Quinn and read the traffic signs--no matter what century they're in.