I can read some of the comments on these reviews - firstly it is not for the person who don't appreciate layers and nuances of crafty human games. Those who like pure action or hong kong type of simpified plots will not appreciate this and will mark it as low score. However I suspect Zhang is painting on this broad canvass multiple themes with the underlying one on the geopolitics around China now, hence the hit in China with the masses there. That call to arms when they feel besieged by outside forces has a resounding clang from the recitation of the poem of the name of this film. The other reason is, China audience has a much deeper appreciation for their history and cultural reference - and these themes found in the movie has resonance with them.
You can see from his earlier works - where symbolism and the tapestry of how he structure his sets are now pared down to very basic backdrop. The pacing and the dialogue and all the twist and turns as he slowly introduce it while you peel the layers of intrigue built into the whole story. It is for the mature audience who has tasted the games in their worklife and being caught between two rocks - you can sympathise with the characters as they try to wit themselve out of the situation which we had experienced before in different guise in our lives - all through the film you try to keep an even keel whether this whole thing was planned or it was adapt as it go on - this is the feeling you develop as you keep watching.
The pacing was excellent, the music designed to be a merge of old and new is supposed to be jarring to create the dissonance between the different scenes and quicken the tension - everyone has an angle and it's like trying to keep an eye on where the ball is in one of the three cups as these are being moved around quickly. As the layers peel more and more, you can identify with the different characters, their motivations and positioning each of them working on - and it's like every single piece of chess is making their own moves on the board within their own confined rules - it is for this reason those who want more depth and layers to their movie watching will appreciate Zhang move to pare down to just basic simple set (not much of sets) and then all the focus is on the characters and the games they all have to play while the sword of death hangs over the two main characters and all those who fall into their orbit.
And at the end of the show - there was an actual final objective - just that there were many ways they had to adapt to finally reach that. And with that Zhang Yimou perform his coda elegantly bringing the symphony to an end. Chapeau Mr Zhang, chapeau !
You can see from his earlier works - where symbolism and the tapestry of how he structure his sets are now pared down to very basic backdrop. The pacing and the dialogue and all the twist and turns as he slowly introduce it while you peel the layers of intrigue built into the whole story. It is for the mature audience who has tasted the games in their worklife and being caught between two rocks - you can sympathise with the characters as they try to wit themselve out of the situation which we had experienced before in different guise in our lives - all through the film you try to keep an even keel whether this whole thing was planned or it was adapt as it go on - this is the feeling you develop as you keep watching.
The pacing was excellent, the music designed to be a merge of old and new is supposed to be jarring to create the dissonance between the different scenes and quicken the tension - everyone has an angle and it's like trying to keep an eye on where the ball is in one of the three cups as these are being moved around quickly. As the layers peel more and more, you can identify with the different characters, their motivations and positioning each of them working on - and it's like every single piece of chess is making their own moves on the board within their own confined rules - it is for this reason those who want more depth and layers to their movie watching will appreciate Zhang move to pare down to just basic simple set (not much of sets) and then all the focus is on the characters and the games they all have to play while the sword of death hangs over the two main characters and all those who fall into their orbit.
And at the end of the show - there was an actual final objective - just that there were many ways they had to adapt to finally reach that. And with that Zhang Yimou perform his coda elegantly bringing the symphony to an end. Chapeau Mr Zhang, chapeau !