My review was written in January 1992 after watching the movie on a PM video cassette.
Actor Lorenzo Lamas continues to make inroads in the popular kick fighting genre with "Final Impact", a "Rocky V"-styled aging warrior picture.
After impressing in "Night of the Warrior", Lamas is cast as a cynical ex-champ who now manages fighters. Pushy young Michael Worth wants Lamas to pilot his career and Lamas agrees to do so, plotting to use Worth for his revenge against the current champ, Jeff Langton.
At times, the pic has a more serious, even somber, tone than usual for the format, though directors Joseph Merhi and Stephen Smoke include exploitation angles such as sexy female oil wrestlers in the opening segment.
Though he's not a bona fide champ in real life, Lamas brings an animation to his role that's often lacking in belt holders. Worth is a promising newcomer, and Lamas' wife Kathleen Kinmont provides convincing support. There's also a nice bit by Kathrin Lautner as a Las Vegas hooker who reduces Lamas' self-esteem to zero.
The fights, choreographed by Eric Lee, are frequent and unexceptional.
Actor Lorenzo Lamas continues to make inroads in the popular kick fighting genre with "Final Impact", a "Rocky V"-styled aging warrior picture.
After impressing in "Night of the Warrior", Lamas is cast as a cynical ex-champ who now manages fighters. Pushy young Michael Worth wants Lamas to pilot his career and Lamas agrees to do so, plotting to use Worth for his revenge against the current champ, Jeff Langton.
At times, the pic has a more serious, even somber, tone than usual for the format, though directors Joseph Merhi and Stephen Smoke include exploitation angles such as sexy female oil wrestlers in the opening segment.
Though he's not a bona fide champ in real life, Lamas brings an animation to his role that's often lacking in belt holders. Worth is a promising newcomer, and Lamas' wife Kathleen Kinmont provides convincing support. There's also a nice bit by Kathrin Lautner as a Las Vegas hooker who reduces Lamas' self-esteem to zero.
The fights, choreographed by Eric Lee, are frequent and unexceptional.