Out of the four directors just the last one is unrecognizable.
A joint work of four master directors, the first Rossini shows full psychoanalytic theories and insights into the Oedipal disease of the modern male. (That said, the psychiatrist in it looks like Lacan)
The second favorite director Godard, I do not know whether it is with this kind of apocalyptic romance has pursued, such as "madman Pierrot", "Exhausted" in the kind of two people show the sense of the world. This movie also creates a "broken world" but it is a failed love affair, which explains in words the ethical breakdown of human beings in a post-apocalyptic world!
Pasolini's third film, Orsonville's set, seems to show the ruthlessness of the set in the story of a minor character (is O'Donnell a tyrant director?). Religious elements are thrown in to make such a tragic ending more absurd and critical
The fourth Ugh, made to satirize the modern critique of consumerism. The movie is a good montage of narrative or reasoning, and the modern consumer scam is quite well presented.
A joint work of four master directors, the first Rossini shows full psychoanalytic theories and insights into the Oedipal disease of the modern male. (That said, the psychiatrist in it looks like Lacan)
The second favorite director Godard, I do not know whether it is with this kind of apocalyptic romance has pursued, such as "madman Pierrot", "Exhausted" in the kind of two people show the sense of the world. This movie also creates a "broken world" but it is a failed love affair, which explains in words the ethical breakdown of human beings in a post-apocalyptic world!
Pasolini's third film, Orsonville's set, seems to show the ruthlessness of the set in the story of a minor character (is O'Donnell a tyrant director?). Religious elements are thrown in to make such a tragic ending more absurd and critical
The fourth Ugh, made to satirize the modern critique of consumerism. The movie is a good montage of narrative or reasoning, and the modern consumer scam is quite well presented.