Glenn Ford made a few comedies with WW 2 settings - during or after the war. None of these were laugh fests, or hilarious films like "McHale's Navy", or satires like the great "Dr. Strangelove." Of course, anything about the military during wartime that's funny might be looked at as satire by some. But, movies like "Buck Privates" of 1941, with Bud Abbott and Lou Costello were sheer comedy. Besides the madness and mayhem of such films, they no doubt helped to lighten the worries of families who had loved ones serving during World War II.
So, after the seriousness and horrors of war had abated in the post-war years, writers, producers, and others who had served began to muse about some of the things that happened that may have been comical, and some fictional things they might have liked to have happen. Or, they may have suspected were happening in the rear echelons, where brass and shysters were removed from the reality of war. That's what we have, it seems, in this film. "Don't Go Near the water" is adapted from a 1956 novel of the same title by William Brinkley. Brinkley was a naval officer who served in Europe and the Pacific. One might easily guess his field - public relations, and his book may have been more fact than fiction as a comedy.
Well, this was the first of a number of light comedy wartime or military comedies that Glen Ford made, and it's success led to more and a solid career. This has some romance, finger-poking, and light comedy that seemed right for audiences in the late 1950s and early 1960s. That's when people could use a break from the headlines and news about the latest threats in the Cold War.
Ford and the rest of the company here do a good enough job for a film that doesn't have much of a plot. Fred Clark and Keenan Wynn provide a few chuckles. And, Anne Francis, Eva Gabor and Gia Scala provide the non-military distractions for sailors who are otherwise alone on a South Sea island in wartime.
It's a light, feel-good comedy romance of the period that, but for the military situation, would clearly fit the description of fluff today. It was a big hit at the box office, finishing in the top 25 U. S. films for the year. I was a teenager at the time and did enjoy films like this - much more than I find them to be very interesting or good in my golden years of maturity - or aged childhood, as the case may be. This is the least funny and entertaining of the batch of these films that Glenn Ford made.
So, after the seriousness and horrors of war had abated in the post-war years, writers, producers, and others who had served began to muse about some of the things that happened that may have been comical, and some fictional things they might have liked to have happen. Or, they may have suspected were happening in the rear echelons, where brass and shysters were removed from the reality of war. That's what we have, it seems, in this film. "Don't Go Near the water" is adapted from a 1956 novel of the same title by William Brinkley. Brinkley was a naval officer who served in Europe and the Pacific. One might easily guess his field - public relations, and his book may have been more fact than fiction as a comedy.
Well, this was the first of a number of light comedy wartime or military comedies that Glen Ford made, and it's success led to more and a solid career. This has some romance, finger-poking, and light comedy that seemed right for audiences in the late 1950s and early 1960s. That's when people could use a break from the headlines and news about the latest threats in the Cold War.
Ford and the rest of the company here do a good enough job for a film that doesn't have much of a plot. Fred Clark and Keenan Wynn provide a few chuckles. And, Anne Francis, Eva Gabor and Gia Scala provide the non-military distractions for sailors who are otherwise alone on a South Sea island in wartime.
It's a light, feel-good comedy romance of the period that, but for the military situation, would clearly fit the description of fluff today. It was a big hit at the box office, finishing in the top 25 U. S. films for the year. I was a teenager at the time and did enjoy films like this - much more than I find them to be very interesting or good in my golden years of maturity - or aged childhood, as the case may be. This is the least funny and entertaining of the batch of these films that Glenn Ford made.