While watching this new Hallmark production, I just could not help wandering back to the 1974 project where bits and stretches of Fred Astaire and other dancers' old films were glued together under the title: "That's entertainment!" This is entertainment!
It is refreshing that somebody at Hallmark has dared to forgo patent or hidden messages and overused cliches, to produce something innovative, light and "spirited", with the only intention to offer a couple of hours of levity and fun. Actually, under its gaiety, the movie conveys deeper sentiments, rich emotions and its own moral. It takes a ghost to chase Anna's ghosts and lead her to find herself.
All is done with a pinch of pleasant silliness, as expected in a total fantasy, softness and delicate humor. The story is gentle, with endearing characters, including the the most captivating specter since Casper, with elements to please many tastes. Among the background of a fascinating historic house and lively flashbacks to the roaring 1920ies, we get to explore the bonding developing between Anna and the ghost, Ruby, separated by a hundred years and, yet, sharing much in common, in a friendship that enriches one another. Julie Gonzalo is at her best in the role of Anna, Chris McNally is rock-solid and Madaleine Arthur simply fantastic as the spirited ghost. Even the final revelation, perhaps a bit forced and anachronistic, fits well in a work of pure fantasy that warms the heart. Which proves that, when one puts heart and mind into it, one can, still, produce valuable and enjoyable cinematography without sensationalism, perversions, and expensive special effects. Conscious that gems come rare to find, I hope Hallmark will continue trying for selective quality, rather than easy quantity.
It is refreshing that somebody at Hallmark has dared to forgo patent or hidden messages and overused cliches, to produce something innovative, light and "spirited", with the only intention to offer a couple of hours of levity and fun. Actually, under its gaiety, the movie conveys deeper sentiments, rich emotions and its own moral. It takes a ghost to chase Anna's ghosts and lead her to find herself.
All is done with a pinch of pleasant silliness, as expected in a total fantasy, softness and delicate humor. The story is gentle, with endearing characters, including the the most captivating specter since Casper, with elements to please many tastes. Among the background of a fascinating historic house and lively flashbacks to the roaring 1920ies, we get to explore the bonding developing between Anna and the ghost, Ruby, separated by a hundred years and, yet, sharing much in common, in a friendship that enriches one another. Julie Gonzalo is at her best in the role of Anna, Chris McNally is rock-solid and Madaleine Arthur simply fantastic as the spirited ghost. Even the final revelation, perhaps a bit forced and anachronistic, fits well in a work of pure fantasy that warms the heart. Which proves that, when one puts heart and mind into it, one can, still, produce valuable and enjoyable cinematography without sensationalism, perversions, and expensive special effects. Conscious that gems come rare to find, I hope Hallmark will continue trying for selective quality, rather than easy quantity.