1953's "Casanova's Big Night" may not have lit up the box office that year, but it's still one of Bob Hope's last truly great comedies, playing on his fast patter and brave coward persona while slyly acknowledging his off screen reputation as a ladies man. As usual, he assembles a fine cast of veteran players, with beautiful teen newcomer Audrey Dalton playing it straight as damsel in distress, Joan Fontaine going for laughs as Bob's leading lady Francesca. Even better for often deprived horror fans is the array of talent lined up to play the villains, apart from Basil Rathbone's triumphant return to Hollywood since retiring from the Sherlock Holmes series a decade earlier. Also back in Tinseltown for the first time since 1946 is John Carradine, whose Foressi is like that of Raymond Burr as Bragadin, a secondary minister to Arnold Moss as the powerful Doge. Curiously unbilled as the actual Casanova is Vincent Price, clean shaven and certainly handsome enough, first taunting Hope's hapless tailor for impersonating him to infiltrate Francesca's bedroom, then needing his assistance to avoid the unpaid bills of grasping creditors. Last but not least is Lon Chaney at the one hour mark, announcing himself as 'Emo, the Murderer from Milan,' who offers an imprisoned Bob an escape from their cell for a simple exchange of clothes (he was prominently featured in Hope's 1946 "My Favorite Brunette"). A pleasant nod to Chaney's Lennie in "Of Mice and Men" arrives when a mouse is found in Emo's pocket, which he promptly disowns: "he must be yours!" Rathbone too enjoys this comic resurgence as Casanova's valet, soon reuniting with Carradine in Danny Kaye's "The Court Jester," proudly displaying his fencing prowess on both occasions.
Review of Casanova's Big Night
