"To know and feel all this and not have the words to express it makes a human a grave of his own thoughts."
I want to begin the review with the quotes by metaphysical poet John Donne. I had recently quoted his poem for the terrific "Sapta Sagaradaache Ello: Side A (2023)," and "Three of Us" echoes the same yearning and ethereal feeling. It has been hours since I saw the latter, but I am still grappling with the film's emotions, like an outlander lost in a labyrinth. The profound impact is such that I have been daydreaming about alternative closures, vividly imagining the characters assuming different fates, especially Shailaja (Shefali Shah). I really tried to brush off the thought of putting together a movie in my mind. I knew that dwelling on it would only evoke a melancholic feeling, a stillness which sometimes is comforting, isolating, inviting thoughts and to ponder on life in a good way. This hit me so hard with its simplicity that I feel compelled to share something about it.
Coming to the story, those who have seen the trailer will have a general idea of the plot and it very much lingers on the same thread. It is a poignant film touching on the fading memories of a woman diagnosed with dementia as the mundanity of her life looms over her, like a heavy weight on her heart and mind. She had a sense of yearning to visit her childhood home set in the Konkan region of Maharashtra. Compelled by this longing for her childhood home, she embarks on a journey to confront the nostalgia, the echoes of guilt, and the regrets that have haunted her. She is accompanied by her husband Dipankar Desai (Sawanand Kirkire) who supports her quest. As the plot moves, her journey is captured with a nostalgic lens, congregating between worlds with a bittersweet intersection of a childhood crush Pradeep (Jaideep Ahlawat). From here we see so many emotions at play as the arrival of the latter begins to fill and create a void for the people involved and gradually results in fall out. But Shailaja who is now viewing the world through a foggy lens treads among the familiar streets of her childhood with her husband and former flame by her side. I don't want to delve more into the plotline as it is a tapestry of various emotions, inviting contemplation and reflection and an experience to be viewed in its own right.
I'm very hesitant to recommend it to everyone due to its pacing and the screenplay devoid of clichés which is its greatest asset. In the fast-paced smartphone generation sitting through "Three of Us" is a big yawn and it is definitely for the acquired taste. But this is the kind of movie that passionate cinephiles must support and SPREAD THE WORD. Kudos, to director Avinash Arun Dhaware and the team for this gem. Personally, this has to be his best considering his brilliant body of work. I love the choice of his characters and it hits the bull's eye in this film, they seem to complement each other very well. It is so tough to pick one as the best performance, everyone has aced it all around and gelled realistically to their respective character traits.
In closing, it is an experience to witness Shailaja in the forgotten yet flourishing garden of her memories and the question of whether she found solace and redemption must be savored as a bittersweet delight. You can smile but you're also about to feel sad but can't do either.
I want to begin the review with the quotes by metaphysical poet John Donne. I had recently quoted his poem for the terrific "Sapta Sagaradaache Ello: Side A (2023)," and "Three of Us" echoes the same yearning and ethereal feeling. It has been hours since I saw the latter, but I am still grappling with the film's emotions, like an outlander lost in a labyrinth. The profound impact is such that I have been daydreaming about alternative closures, vividly imagining the characters assuming different fates, especially Shailaja (Shefali Shah). I really tried to brush off the thought of putting together a movie in my mind. I knew that dwelling on it would only evoke a melancholic feeling, a stillness which sometimes is comforting, isolating, inviting thoughts and to ponder on life in a good way. This hit me so hard with its simplicity that I feel compelled to share something about it.
Coming to the story, those who have seen the trailer will have a general idea of the plot and it very much lingers on the same thread. It is a poignant film touching on the fading memories of a woman diagnosed with dementia as the mundanity of her life looms over her, like a heavy weight on her heart and mind. She had a sense of yearning to visit her childhood home set in the Konkan region of Maharashtra. Compelled by this longing for her childhood home, she embarks on a journey to confront the nostalgia, the echoes of guilt, and the regrets that have haunted her. She is accompanied by her husband Dipankar Desai (Sawanand Kirkire) who supports her quest. As the plot moves, her journey is captured with a nostalgic lens, congregating between worlds with a bittersweet intersection of a childhood crush Pradeep (Jaideep Ahlawat). From here we see so many emotions at play as the arrival of the latter begins to fill and create a void for the people involved and gradually results in fall out. But Shailaja who is now viewing the world through a foggy lens treads among the familiar streets of her childhood with her husband and former flame by her side. I don't want to delve more into the plotline as it is a tapestry of various emotions, inviting contemplation and reflection and an experience to be viewed in its own right.
I'm very hesitant to recommend it to everyone due to its pacing and the screenplay devoid of clichés which is its greatest asset. In the fast-paced smartphone generation sitting through "Three of Us" is a big yawn and it is definitely for the acquired taste. But this is the kind of movie that passionate cinephiles must support and SPREAD THE WORD. Kudos, to director Avinash Arun Dhaware and the team for this gem. Personally, this has to be his best considering his brilliant body of work. I love the choice of his characters and it hits the bull's eye in this film, they seem to complement each other very well. It is so tough to pick one as the best performance, everyone has aced it all around and gelled realistically to their respective character traits.
In closing, it is an experience to witness Shailaja in the forgotten yet flourishing garden of her memories and the question of whether she found solace and redemption must be savored as a bittersweet delight. You can smile but you're also about to feel sad but can't do either.