19-year-old, Argentina-born Martin (Juan Diego Botto), nicknamed H, has a nearly fatal drug overdose. After that his mother sends him to Madrid, where his film director father (Federico Luppi), also called Martin, lives with his new much younger lover Alicia (Cecilia Roth) and bisexual actor friend Dante (Eusebio Poncela). Since no one knows for sure whether the incident was an accident or an attempted suicide, and since there is no place for Hache in his mother's life anyway, his father takes him to Madrid. The two try to bridge the obvious difficulties between father and son, and above all to fill Hache's life with new courage and cheerfulness.
The quartet of the great actors are wonderful: Juan Diego Botto as Hache, as those who know him call him, he is a young man who, after an almost fatal encounter, comes to Madrid to live with his father, stunningly played by Federico Luppi as a film director who has been in Spain for many years and who left Buenos Aires when he separated from his mother and does not want to return to his previous life or his country. His life is stable and without commitments with his lover Alicia, nicely acted by Cecilia Roth, and his best friend, the actor Dante, a splendid Eusebio Poncela. But his coexistence with his 19-year-old son will force him to face the problems that he had hidden behind a barrier of years. The film makes an introspective study of four characters, although throughout it we may seem somewhat pedantic, people who always have the word on point, philosophizing and giving opinions on everything and all around; however, finally we realize keep in mind that they are all imperfect people with their vital defects and failures in their actions. In such a way that as the film progresses it improves noticeably until reaching a sensitive and intelligent ending.
In "Martín (Hache)", the experienced filmmaker Adolfo Aristarain weaves a film whose plot unfolds above all through intelligently conducted, thought-provoking isssues and profound dialogues. The story focuses on the four protagonists, whose characterization becomes clearer and deeper as the plot progresses. Despite half-hearted attempts to break out of their current lives, they always return to the starting point remorseful. It is thanks to the outstanding acting performance of the actors that boredom does not arise at any moment. On the contrary, the dialogues captivate and fuel the tension until the decisive and unsettling finale. Many feelings are only hinted at, thus giving free rein to the audience's ability to interpret. "Martín (Hache)" has received numerous awards at international festivals, including the 1998 Goya Award for Best Female Actress for the terrific Cecilia Roth.
The motion picture was competently directed by Adolfo Aristaráin, At the same time, the director does not make the mistake of trying to describe everything down to the smallest detail in words. Adolfo has extensive experience as assistant director to Mario Camus, Sergio Leone, Lewis Gilbert and Melvin Frank, debuting as a director in ¨The Lion's Share¨ (1978) but that was a failure that led him to direct two bad films to survive: ¨The Beach of Love (1970)¨ and ¨ The nightclub of love¨. He returns to the detective genre with the attractive ¨Tiempo de revancha (1980) ¨and ¨Los ultimos Días De la Victima (1982) ¨giving a sordid portrait of Argentina during the military dictatorship. Later he made the TV series: ¨The Adventures of Pepe Carvalho¨ in Spain about the notorious detective written by Manuel Vázquez Montalbán. He then films in English in co-production with USA three police irregulars: Deadly¨. The Stranfäger¨, and ¨Past Perfect¨. His best and most personal work is "A Place in the World" (1992), a heartfelt love story seen through the political prism with which he wins the Golden Shell at the San Sebastian Festival. Later, he makes the irregular "La Ley de la Frontera¨ (1995), where he defends the cinema of love and adventure and the much more personal Martin (Hache) in which he narrates the tense relationships between a film director, his lover, his son and an actor. Rating: 6.5/10. Better than average.
The quartet of the great actors are wonderful: Juan Diego Botto as Hache, as those who know him call him, he is a young man who, after an almost fatal encounter, comes to Madrid to live with his father, stunningly played by Federico Luppi as a film director who has been in Spain for many years and who left Buenos Aires when he separated from his mother and does not want to return to his previous life or his country. His life is stable and without commitments with his lover Alicia, nicely acted by Cecilia Roth, and his best friend, the actor Dante, a splendid Eusebio Poncela. But his coexistence with his 19-year-old son will force him to face the problems that he had hidden behind a barrier of years. The film makes an introspective study of four characters, although throughout it we may seem somewhat pedantic, people who always have the word on point, philosophizing and giving opinions on everything and all around; however, finally we realize keep in mind that they are all imperfect people with their vital defects and failures in their actions. In such a way that as the film progresses it improves noticeably until reaching a sensitive and intelligent ending.
In "Martín (Hache)", the experienced filmmaker Adolfo Aristarain weaves a film whose plot unfolds above all through intelligently conducted, thought-provoking isssues and profound dialogues. The story focuses on the four protagonists, whose characterization becomes clearer and deeper as the plot progresses. Despite half-hearted attempts to break out of their current lives, they always return to the starting point remorseful. It is thanks to the outstanding acting performance of the actors that boredom does not arise at any moment. On the contrary, the dialogues captivate and fuel the tension until the decisive and unsettling finale. Many feelings are only hinted at, thus giving free rein to the audience's ability to interpret. "Martín (Hache)" has received numerous awards at international festivals, including the 1998 Goya Award for Best Female Actress for the terrific Cecilia Roth.
The motion picture was competently directed by Adolfo Aristaráin, At the same time, the director does not make the mistake of trying to describe everything down to the smallest detail in words. Adolfo has extensive experience as assistant director to Mario Camus, Sergio Leone, Lewis Gilbert and Melvin Frank, debuting as a director in ¨The Lion's Share¨ (1978) but that was a failure that led him to direct two bad films to survive: ¨The Beach of Love (1970)¨ and ¨ The nightclub of love¨. He returns to the detective genre with the attractive ¨Tiempo de revancha (1980) ¨and ¨Los ultimos Días De la Victima (1982) ¨giving a sordid portrait of Argentina during the military dictatorship. Later he made the TV series: ¨The Adventures of Pepe Carvalho¨ in Spain about the notorious detective written by Manuel Vázquez Montalbán. He then films in English in co-production with USA three police irregulars: Deadly¨. The Stranfäger¨, and ¨Past Perfect¨. His best and most personal work is "A Place in the World" (1992), a heartfelt love story seen through the political prism with which he wins the Golden Shell at the San Sebastian Festival. Later, he makes the irregular "La Ley de la Frontera¨ (1995), where he defends the cinema of love and adventure and the much more personal Martin (Hache) in which he narrates the tense relationships between a film director, his lover, his son and an actor. Rating: 6.5/10. Better than average.