Glory is a product of its time in ways that both hinder and help. Considering the story it's telling, focusing on Matthew Broderick's Robert Gould Shaw as the lead doesn't result in the best version of itself; however, there's a level of earnest sentimentality that wouldn't exist in a more modern version. After a slow start it really finds its footing and only gets stronger.
Despite being outshone by the supporting cast, Matthew Broderick is still a great lead who's arc is predictable but no less satisfying. Denzel Washington is incredible, arriving with so much presence, angry at the world and is still given his fair share of quieter, deeply human moments. Morgan Freeman plays to his strengths with a role that leans into his wisdom.
Edward Zwick's direction stages large scale battles in a way that never glorifies war and with cinematography by Freddie Francis, the film looks beautiful with striking shots reflected through puddles. James Horner's score is recognisably him and completely unafraid to be melodramatic, going for broke in its biggest moments with no fear of it being seen as too much.
Despite being outshone by the supporting cast, Matthew Broderick is still a great lead who's arc is predictable but no less satisfying. Denzel Washington is incredible, arriving with so much presence, angry at the world and is still given his fair share of quieter, deeply human moments. Morgan Freeman plays to his strengths with a role that leans into his wisdom.
Edward Zwick's direction stages large scale battles in a way that never glorifies war and with cinematography by Freddie Francis, the film looks beautiful with striking shots reflected through puddles. James Horner's score is recognisably him and completely unafraid to be melodramatic, going for broke in its biggest moments with no fear of it being seen as too much.