Fishing (1921) Poster

(1921)

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8/10
Max and Ko-Ko go fishing
TheLittleSongbird13 March 2018
Dave Fleischer was responsible for many gems. Ones that were amusing and charming, though over-cuteness did come through in some efforts and the stories were always pretty thin, with appealing characters, outstanding music and visuals that were inventive and with innovative animation techniques.

Ko-Ko (before he was named Ko-Ko, in his very early efforts he was known as The Clown) similarly was an always amiable character to watch and among the better recurring characters in Fleischer's early work. Likewise, his series of Out of the Inkwell cartoons were among the best early efforts of Fleischer and silent cartoons in general. Fleischer may not be at his very finest and there are other cartoons of his that fit the word gem more. It is impossible to dislike 'Ko-Ko's Big Sale', which put a smile on my face and is very easy to be charmed by.

There may not be much to the story and it's easy to tell where some of the material is going to go, but like most Ko-Ko cartoons there is not much to criticise.

A lot is done very well to brilliantly however. The seamless blend of animation and live action and the delightful interplay are obvious good things, but they're not the only ones.

One expects the animation to be primitive and very low quality, judging by that it's the 20s when animation techniques were not as many, as refined, as ambitious and in their infancy. While Fleischer became more refined and inventive later certainly, the animation is surprisingly good with some nice visual wackiness and wit.

It all goes at a bright and breezy pace, while there are a fair share of funny and suitably wild (not always imaginative, but always well timed and clever) moments. Ko-Ko as ever is very likeable and amusing and it is impossible to dislike Max's contribution, they work so well together.

Altogether, very enjoyable again. 8/10 Bethany Cox
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7/10
An Unlikely Story
boblipton8 April 2014
Max is too rushed to do a thorough job of drawing Ko-Ko this morning. Max is going fishing. However, to amuse the clown, he draws a fishing pole and a pond before he goes.

Although Paul Terry would produce seemingly dozens of cartoons set underseas, with vicious fish and fearsome octopuses, he was always constrained by his budgets and kept the drawings very simple. Between his technical inventions like rotoscoping and the fact that up to two-thirds of the Ko-ko cartoons were live films featuring him, Max Fleischer could budget more elaborate cartooning. His character designs were far more elaborate, his backgrounding was more detailed and his story logic was impeccable. At times, this cartoon suggests the work of Windsor McKay's Little Nemo: nowhere near as beautiful, but clearly aspiring to live up to standards.
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9/10
Poor Max....annoyed by Koko once again!
planktonrules20 August 2018
Back in the early days of film (1918 through the rest of the silent era), Koko the Clown was a big star...and he deserved to be. The Fleischer Brothers (who later made Betty Boop as well as Popeye cartoons) came up with a wholly original character...a mischievous clown who could go from paper into the real world. Most of the time, Koko acted like a bit of a jerk. It was only in the talking picture days that Koko occasionally showed up...and was far less of a trouble maker! This is why I love their silent version best!

Here in "Fishing", Koko wants to join Max when he goes off fishing with a friend. However, Max only agrees to draw him a little puddle in which to play...though Koko does manage to find a topless mermaid and a bunch of fish their anyway. But Koko, as usual, has a short attention span and soon leaves the paper and seeks out Max...and annoys him horribly. So how does Max deal with this little trouble-maker? See the film.

Despite being about 100 years old, the animation style seems much more fluid and modern than many would expect. Sure, it's black & white and a silent...but here that works just fine and is, as usual, a delight to watch.

By the way, a tiny bit of this film must have raised a few eyebrows back in the day. When Koko sees all the strange creatures in his cartoon pond, he says that Max must have put 'dope' in the ink!
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