I personally wouldn't say that "The Looney, Looney, Looney Bugs Bunny Movie" was the best Looney Tunes compilation ever, but it's still pretty entertaining. It starts with "Knighty Knight Bugs" (in which Bugs tries to steal the Singing Sword from black night Yosemite Sam), and then Bugs explains that the cartoon was directed by Friz Freleng, who directed this movie. In fact, Friz got an Oscar, but Bugs only got a carrot.
Then, we go the compilations: Yosemite Sam tries to kill Bugs but keeps getting sent to Hell (Satan is only too happy about this); Bugs becomes a cop and busts gangsters Rocky and Mugsy; and then, an Oscars-style awards ceremony at which the characters arrive in the most ostentatious limos imaginable. Nominees include the wolf and three little pigs ("Three Little Bops"), Sylvester and Tweety ("Birds Anonymous"), and others. But sure enough, Daffy believes that he and only he can win...or can he? I guess that if I have a problem with what they portray here, it's that the whole thing seems sort of like self-congratulation. Then again, the Looney Tunes cartoons often made fun of Hollywood - just look at "The Scarlet Pumpernickel" - so they might be poking fun at the pomp and opulence inherit in the numerous award ceremonies every year.
Overall, I pretty much liked "TLLLBBM". As far as I'm concerned, as long as they still had Mel Blanc providing the characters' voices, it was worth seeing. Still, I can't help but wonder why they stressed Friz Freleng's cartoons; they should have had at least something about Chuck Jones's works.
All in all, pretty worthy.
Then, we go the compilations: Yosemite Sam tries to kill Bugs but keeps getting sent to Hell (Satan is only too happy about this); Bugs becomes a cop and busts gangsters Rocky and Mugsy; and then, an Oscars-style awards ceremony at which the characters arrive in the most ostentatious limos imaginable. Nominees include the wolf and three little pigs ("Three Little Bops"), Sylvester and Tweety ("Birds Anonymous"), and others. But sure enough, Daffy believes that he and only he can win...or can he? I guess that if I have a problem with what they portray here, it's that the whole thing seems sort of like self-congratulation. Then again, the Looney Tunes cartoons often made fun of Hollywood - just look at "The Scarlet Pumpernickel" - so they might be poking fun at the pomp and opulence inherit in the numerous award ceremonies every year.
Overall, I pretty much liked "TLLLBBM". As far as I'm concerned, as long as they still had Mel Blanc providing the characters' voices, it was worth seeing. Still, I can't help but wonder why they stressed Friz Freleng's cartoons; they should have had at least something about Chuck Jones's works.
All in all, pretty worthy.