Directed by
| Neal Jimenez | ||
| Michael Steinberg | ||
Writing Credits (WGA)
| Neal Jimenez | ... | (written by) |
Cast (in credits order) verified as complete
Produced by
| Marie Cantin | ... | producer |
| Gale Anne Hurd | ... | producer |
| Guy Riedel | ... | executive producer |
Music by
| Michael Convertino | ||
Cinematography by
| Mark Plummer | ||
Editing by
| Jeff Freeman | ||
Casting By
| Pam Dixon | ||
Production Design by
| Bob Ziembicki | ||
Costume Design by
| Isis Mussenden | ||
Makeup Department
| Clare M. Corsick | ... | dept. head hairstylist |
| Denise Fischer | ... | hair stylist / makeup artist |
| Kelcey Fry | ... | makeup department head |
Production Management
| Laura Greenlee | ... | production manager |
| Lisa Yesko | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Trey Batchelor | ... | second second assistant director |
| Marcei A. Brown | ... | second assistant director |
Art Department
| Rana Joy Glickman | ... | props |
| Kevin Hughes | ... | property master |
| Gerald Lehtola | ... | set dresser |
| Cathy Mantych | ... | on-set dresser |
| Antonio Molina | ... | art department / set dresser |
| Tyler Patton | ... | assistant property master |
| Pete von Sholly | ... | storyboard artist |
Sound Department
| Lance Brown | ... | sound effects editor |
| Sean Callery | ... | assistant sound editor |
| Carmen Flores De Tanis | ... | assistant sound editor (as Carmen Flores) |
| Mark Fay | ... | cableman |
| Kimberly Lambert Gibson | ... | apprentice sound editor (as Kimberly Lambert) |
| Tom Hartig | ... | boom operator |
| Alan Howarth | ... | sound effects editor |
| Matthew Iadarola | ... | re-recording mixer |
| Stanley Kastner | ... | re-recording mixer |
| Patricio A. Libenson | ... | recordist (as Patricio Libenson) |
| Bobby Mackston | ... | supervising sound editor (as Robert Mackston) |
| Steve Nelson | ... | sound mixer |
| Dan O'Connell | ... | foley artist |
| Greg Orloff | ... | foley mixer |
| Randy Piotroski | ... | adr recordist |
| Charleen Richards | ... | adr mixer |
| Brian Risner | ... | sound effects editor |
| Randy Singer | ... | foley recordist |
| Steve F.B. Smith | ... | consultant: Dolby Stereo (as Steve F. B. Smith) |
| Alicia Stevenson | ... | foley artist |
| Jason King | ... | sound effects editor (uncredited) |
| Randy Singer | ... | foley mixer (uncredited) |
Camera and Electrical Department
| Chris Conway | ... | gaffer |
| Rick Davis | ... | key grip |
| Kelly Evans | ... | second assistant camera |
Casting Department
| Terence Harris | ... | casting associate (as Terrence Harris) |
Costume and Wardrobe Department
| Alexandria Forster-Wetzel | ... | costume supervisor (as Alexandria Forster) |
Editorial Department
| Eric A. Lewy | ... | assistant editor |
| Judd H. Maslansky | ... | first assistant editor |
| Bob Wenokur | ... | studio post-production representative |
Location Management
| Gregory Bartlett | ... | assistant location manager |
| William Doyle | ... | location manager |
Music Department
| Tomás Hradcky | ... | music element creator (as Tomas Hart) |
Transportation Department
| Jason Belsky | ... | transportation coordinator |
| Antonio Molina | ... | driver |
Additional Crew
| Ron Cicero | ... | assistant to director |
| Beth DePatie | ... | production coordinator |
| Judith Flex | ... | choreographer |
