My summary may seem redundant, after all it's a porn flick, isn't that the point? True, but many pornos, while they have multiple sex scenes many of them aren't "sexy". This is the happy exception. Kim McKamy, using her porn "Nom de Plume" Ashlyn Gere, turns in two unusual ones. In the first she masturbates, that isn't unusual in itself, but she does it like a real woman, not a porn star. She also works up a sweat doing it. In the second she gives a blow Job, without the ubiquitous cum shot. If Peter North couldn't provide or she swallowed, I don't know or care. There are at least 3 other scenes without Ashlyn that turned my gears. A winner anyway you look at it.
2 Reviews
Poorly done
lor_26 August 2022
Just as I was appreciating scriptwriter Jerry Ross's work I hit upon this real clunker from him, nearly insulting. He takes a weak premise and gets zilch out of it.
Slim idea of a story has Ashlyn Gere as an artist who is devoted to painting nudes. We don't get to see her paintings, a chintzy cheat from the git-go.
She turns out to be a voyeuse, who masturbates after getting her models turned on, and watching them f*ck each other while hiding out of their sight.
A couple of subplots are meaningless: her ongoing battle with boyfriend Mike Horner who's also an artist but prudish and criticizes her doing nudes. She also paints in the nude herself, a silly gimmick. The other subplot has her agent Tom Chapman (in a completely nothing role, literally phoned-in) trying as he might to get her shown in Jon Dough's gallery. All Dough ever does is hump his secretary Casssidy, and this "suspense" goes nowhere.
Even the continuity is poor, as scenes are shown out of order. A real stinker despite the camera's love of superstar Gere.
Slim idea of a story has Ashlyn Gere as an artist who is devoted to painting nudes. We don't get to see her paintings, a chintzy cheat from the git-go.
She turns out to be a voyeuse, who masturbates after getting her models turned on, and watching them f*ck each other while hiding out of their sight.
A couple of subplots are meaningless: her ongoing battle with boyfriend Mike Horner who's also an artist but prudish and criticizes her doing nudes. She also paints in the nude herself, a silly gimmick. The other subplot has her agent Tom Chapman (in a completely nothing role, literally phoned-in) trying as he might to get her shown in Jon Dough's gallery. All Dough ever does is hump his secretary Casssidy, and this "suspense" goes nowhere.
Even the continuity is poor, as scenes are shown out of order. A real stinker despite the camera's love of superstar Gere.
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