I caught Ghar Dwar on a bus from Gaya to Patna yesterday. What really impressed me initially was how "clean" the experience was: the camera- work was steady without ever threatening to be spectacular; the scene composition, the dialogues were all middling, which, when compared to the bilge that was dished out in the mid-eighties, borders on the remarkable; and, most interestingly, the editing was superb-- never was one allowed to linger on a scene for longer than required, even the comedy track (featuring the dependable Kader Khan and the excellent Ashok Saraf) didn't play out like extended intrusions.
However, the story itself is very ordinary: if one could write a program to auto-generate scripts from the eighties using a standard algorithm, this would be the most likely outcome. You have all the unimaginative tropes: a loving but poor family (with extra-ordinarily strong sibling love) headed by a sacrificial and saintly couple who are put through all sorts of tests, an evil daughter-in-law from a rich household chiefly responsible for the aforementioned tests, a man (Raj Kiran) blinded by love for the aforementioned daughter-in-law, and a clutch of penny-pinching money-lenders.
All of this makes for a tiresome viewing, but on a bus with speakers blaring, one has little choice. As a cautionary note, this movie has a couple of wife/woman-beating (admittedly, they were negative characters) scenes that really makes one squirm. Unsurprisingly, the rest of the audience in the bus really seemed to enjoy them.
However, the story itself is very ordinary: if one could write a program to auto-generate scripts from the eighties using a standard algorithm, this would be the most likely outcome. You have all the unimaginative tropes: a loving but poor family (with extra-ordinarily strong sibling love) headed by a sacrificial and saintly couple who are put through all sorts of tests, an evil daughter-in-law from a rich household chiefly responsible for the aforementioned tests, a man (Raj Kiran) blinded by love for the aforementioned daughter-in-law, and a clutch of penny-pinching money-lenders.
All of this makes for a tiresome viewing, but on a bus with speakers blaring, one has little choice. As a cautionary note, this movie has a couple of wife/woman-beating (admittedly, they were negative characters) scenes that really makes one squirm. Unsurprisingly, the rest of the audience in the bus really seemed to enjoy them.