As concert films go, "Down from the Mountain" is neither the most stunning nor the most creative. Other filmmakers, surely with more time to prepare and film, have captured musical performances with more flair. Nevertheless, "Down from the Mountain" is an exceptional film, a complete joy for those of us who loved "O Brother Where Art Thou?" and the "old-timey" music it showcased. Without exception, the artists participating in this Nashville concert last year are shown to be kind, good-natured, and incredibly talented. How unusual to see on film a group of artists, characters all of them, who have limitless talent, and yet are not shown to be arrogant or overpaid. Emmylou Harris, Chris Thomas King, and Ralph Stanley in particular shine like the stars they are.
11 Reviews
Enjoyable Concert Film
Dante-5330 June 2001
I love O Brother, Where Art Thou?. I love the soundtrack. So when I saw in my local multiplex that a documentary had been made in my town about the music recorded in my town and the subsequent concert in my town, I knew I had to go. As far a filmmaking goes, the film leaves a lot to be desired. There is no structure, no clarity, etc. It lacks the elements that make a documentary a moving chronicle. It does have, however, great footage of great artists playing great music. I have never been a fan of country music, but I love the old timey sounds of bluegrass and mountain music. Ralph Stanley is awesome! If you can find this film (I think it's only playing in Nashville) see it. It's well worth the time just for the music.
A gem worthy of the historical place that needed to be commemorated
Chris_Docker27 August 2001
Concert movie focussing on the `bluegrass' songs of the Coens film `O Brother Where Art Thou?' EmmyLou Harris and other perform in a feast of music that washes over you from start to finish. Sadly it doesn't include the main song that George Clooney lip-synched too. At the Edinburgh film festival, where the movie got its international premiere, legendary music documentary maker D.A. Pennebaker (Don't Look Back) explained that they had tried to get the guy to sing it about six times but he always sang different words; as a `definitive' version had already been released on the `O Brother' soundtrack, they decided, after talking to the Coens, that the number should be dropped from `Down from the Mountain.'
Musical Magic!
RHurley8 October 2001
It's almost impossible to describe the colourful quality of this film, not because it has or lacks special merit in the normal measures of cinema, nor should it be so evaluated, but because it comes out of nowhere to reach parts of you that you don't expect a movie to reach.
Co-incidentally, last June I drove to Charlottesville, VA to visit Monticello and see UVA. On that evening I stumbled into a performance of Gillian Welch and David Rawlings at a local brewpub and had a very similar experience to that of the film. The music was just so good that it almost brought tears to my eyes. Like the firsthand joy of getting a glimpse into the souls of Welch and Rawlings, the footage of Down from the Mountain, especially the unpretentious commentary and dialogue between the performers, both onstage and behind the curtains, revealed their genuinely good nature. This greatly enhanced the earthy loveliness of some brilliant bluegrass.
I would love to have been at this stunning concert, but sadly was not. Having missed it, I can perhaps take some comfort in the film's additional insights and experience that the live audience did not have. The camera work backstage might not win an Oscar, but accomplished much in capturing some of the character of its subjects. This added dimensions of warmth and appreciation to their performances which would be difficult to imagine that the audience could have shared.
This is a film for music aficionados, not cinema buffs. Doubtless a film critic could find some artistic merit in the work, but it seems much safer to simply wholeheartedly recommend it as pure musical ecstasy.
Co-incidentally, last June I drove to Charlottesville, VA to visit Monticello and see UVA. On that evening I stumbled into a performance of Gillian Welch and David Rawlings at a local brewpub and had a very similar experience to that of the film. The music was just so good that it almost brought tears to my eyes. Like the firsthand joy of getting a glimpse into the souls of Welch and Rawlings, the footage of Down from the Mountain, especially the unpretentious commentary and dialogue between the performers, both onstage and behind the curtains, revealed their genuinely good nature. This greatly enhanced the earthy loveliness of some brilliant bluegrass.
I would love to have been at this stunning concert, but sadly was not. Having missed it, I can perhaps take some comfort in the film's additional insights and experience that the live audience did not have. The camera work backstage might not win an Oscar, but accomplished much in capturing some of the character of its subjects. This added dimensions of warmth and appreciation to their performances which would be difficult to imagine that the audience could have shared.
This is a film for music aficionados, not cinema buffs. Doubtless a film critic could find some artistic merit in the work, but it seems much safer to simply wholeheartedly recommend it as pure musical ecstasy.
Roots Music Writ Large
rshepard4279620 June 2007
This is a film for music lovers. Here we have some of the most talented performers of folk/bluegrass/blues in America today doing some of the most enduring songs ever written. It is the music that is the star, not the performers or the filmmakers. In fact, I think the filmmakers knew that and deliberately played down the cinematic tricks. What you see (and hear) is what you get. The introductory documentary is more a mosaic than a story. It sets the mood of the entire movie, showing the performers as ordinary folk who might as well be gathering for a neighborhood picnic. The performances are all excellent. Standouts include Ralph Stanley, John Hartford and Alison Krauss. If you have even a passing interest in American Roots music this is a film not to be missed.
Entertaining - Real stuff!
stalkofs21 November 2001
I am watching this on DVD for the 5th time. I usually don't watch movies over and over again in a stretch, but this is a video album. This is down to earth video, introducing stars as people who become stars on stage but a bunch of talented people who give you a feeling they are you next door neighbors, approachable. The music is superb!
I just feel there should have been more music on this though, but heck, it is great. Perhaps we can get more stuff like this. I like listening to CDs but I do like being brought close to the show, which is possible with todays set ups.
I just feel there should have been more music on this though, but heck, it is great. Perhaps we can get more stuff like this. I like listening to CDs but I do like being brought close to the show, which is possible with todays set ups.
A concert film made the way they should be made
patrouillie13 July 2002
This is a concert film about musicians enjoying to make music. At last a concert film where a shot can be longer than 30 seconds. No special effects, dazling camera movements or superfast cutting here. But a crew of talented cameramen trying to capture the emotion of a concert by concentrating on the faces of the musicians. Take also notice of the incredible sound quality. The sound engineer took the risk of using only a few high quality microphones and let the musicians do most of the balancing. The clarity and transparency is remarkable.
Excellent in nearly every measure.
Ell10tt9 September 2001
Unfortunately, I missed the actual concert at the Ryman, despite the fact that I live in Nashville. My young son is a Coen Brothers fanatic, I always found their work to be slightly off target with respect to my own tastes.
That was, until, I saw "O Brother..." which I saw several times. When "Down from the Mountain" was shown here in Nashville I also visited it several times.
What music is shown is excellent, I'm a big fan of watching music being created-- I believe that seeing the performers interact adds a depth of understanding of the music. Unfortunately, not every song presented during the concert is in the film, but what's there was very satisfying.
It looked like the film was shot on Digital Beta, or some video format and then transferred to film. As such, it looked a little flat, but the photography itself and the sound recording were both beyond reproach. I'm hoping when I get the DVD release of this film that they've skipped the film transfer and given me the pure video version.
That was, until, I saw "O Brother..." which I saw several times. When "Down from the Mountain" was shown here in Nashville I also visited it several times.
What music is shown is excellent, I'm a big fan of watching music being created-- I believe that seeing the performers interact adds a depth of understanding of the music. Unfortunately, not every song presented during the concert is in the film, but what's there was very satisfying.
It looked like the film was shot on Digital Beta, or some video format and then transferred to film. As such, it looked a little flat, but the photography itself and the sound recording were both beyond reproach. I'm hoping when I get the DVD release of this film that they've skipped the film transfer and given me the pure video version.
I was really disappointed by the technical and musical quality
erstokke28 January 2003
To make a concert in addition of the usual soundtrack cd was a good idea. But this film doesn´t make it. It is a cheap, low quality attempt to squeeze more money out of "O Brother Where Art Thou".
I like old time music and several of the artist in this concert are among my favorites. But the this concert on DVD is a big disappointment: - Picture: Hand-held cameras with a lot of camera shake and video-noise. And the cameramen doesn´t react to the music. For example when there is a solo by the great dobro-player Jerry Douglas, the camera is still focused on the singer for a while. - Sound: Sound is terrible. It is mostly done with two microphones on stage, which make the sound of many musicians disappear. The sound is harsh and sharp, and bass-notes cannot be heard. A year 2000 concert DVD with only 2 channel sound. - The music and the musicians: There are some great performances here, but mostly the concert is let down by the fact that the artists barely had any rehearsal.
If you want to see what a good concert film should look and sound like, see James Taylor´s concert at the Beacon Theatre.
I like old time music and several of the artist in this concert are among my favorites. But the this concert on DVD is a big disappointment: - Picture: Hand-held cameras with a lot of camera shake and video-noise. And the cameramen doesn´t react to the music. For example when there is a solo by the great dobro-player Jerry Douglas, the camera is still focused on the singer for a while. - Sound: Sound is terrible. It is mostly done with two microphones on stage, which make the sound of many musicians disappear. The sound is harsh and sharp, and bass-notes cannot be heard. A year 2000 concert DVD with only 2 channel sound. - The music and the musicians: There are some great performances here, but mostly the concert is let down by the fact that the artists barely had any rehearsal.
If you want to see what a good concert film should look and sound like, see James Taylor´s concert at the Beacon Theatre.
Pure Gold
scorch1-14 August 2011
I wonder if the reviewers are still around who wrote of this concert in 2000, before 9/11, and since that tragic event if their reviews still stand. I suspect they will look at this fine effort in a different light now, and love it more. It's like looking back at innocent children before bad things happened. Although the film, Oh Brother, Where are Thou, is a favorite of mine I missed this special and didn't discover it until Netflix instant downloads became available. I have been watching it three or four times a week since I discovered it. I was shocked to find out it was done in 2000, 11 years ago. I love hearing the family's, The Cox's, the White's and of course the little Pesall sisters, who I imagine have grown and look a lot different now. I haven't Googled any of the talent in this concert because I was afraid of what I might find. Alison Krauss and Emmy Lou Harris are perfect. The Fairfield Four opened the show and Ralph Stanley closes it but the between part has purest blues and blue grass I have ever heard. That Welch/Rawlings are quit the pair. I will probably spoil this by watching it too many times but I just can't stop.
nice but could have had more!
thetrev5 October 2006
For what it is this is pretty good. It has musicians playing and audience enjoying with no film-trickery or SFX. I was a bit disappointed that the song "I'll Fly Away" wasn't shown complete but as a track over the credits.
The documentary section could have been way better, perhaps with more history of the songs and musicians for them folks of us who don't know nobetter! The bits about how they learned to sing and play were very interesting and more would have been appreciated.
However, as a record of some fine, ole time music it hits the spot nicely.
The documentary section could have been way better, perhaps with more history of the songs and musicians for them folks of us who don't know nobetter! The bits about how they learned to sing and play were very interesting and more would have been appreciated.
However, as a record of some fine, ole time music it hits the spot nicely.
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