Caution: Spoilers within.
A while back, MTV used to air a wonderful show in which a taxicab was fitted with a camera and mic, and the audience got to see all sorts of wonderful personalities as they would ride the cab and converse with the driver and give us all sorts of funny and weird "confessionals".
Hany Abu-Asad seems to have taken this idea one step further in "Ford Transit", by using taxicab confessionals as a way to showcase the views and opinions of a large number of Palestinians, as well as depicting the their hectic way of life as they try to cross from checkpoint to checkpoint using a Ford Transit taxicab.
We get to see everyone in the taxi, and i mean everyone!! Prominent Palestinian political figures like Hanan Ashrawi and Azmi Bishara; older women; fat men; lawyers; waiters; younger kids. All of them sitting in the back of a taxicab telling us what he/she thinks of the Israeli/Palestinian conflict, the peace process, Bush, the Israelis, checkpoints, and so on....
Reigning as the supreme confessional, however, is the dialogue with Rajai, the young photogenic driver of the taxicab, as we watch him hustle his way through checkpoints, drive his cab over dirt roads to avoid surprise searches, and serve as a reality-check to the lofty, idealistic words sometimes expounded by his passengers. Rajai symbolizes the everyday hustle that young Palestinians have to become to survive in Palestine.
What I liked most about this movie, however, was that the director Hany Abu-Asad himself, in interviewing the passengers in the taxicab, was always willing to play the role of the devil's advocate: trying to pose questions from the Israeli point of view and challenging the Palestinian occupants to see things not only from their side, but also from the other side.... ..this is movie's ultimate triumph, in my opinion! Not only does it serve to show us a vibrant and sometimes exasperating slice of Palestinian life, but it also questions the Palestinian/Arab viewer to think deeply about issues like the effect of suicide bombings, and whether they serve any meaningful purpose.
Everyone should go see this movie. Well done.
A while back, MTV used to air a wonderful show in which a taxicab was fitted with a camera and mic, and the audience got to see all sorts of wonderful personalities as they would ride the cab and converse with the driver and give us all sorts of funny and weird "confessionals".
Hany Abu-Asad seems to have taken this idea one step further in "Ford Transit", by using taxicab confessionals as a way to showcase the views and opinions of a large number of Palestinians, as well as depicting the their hectic way of life as they try to cross from checkpoint to checkpoint using a Ford Transit taxicab.
We get to see everyone in the taxi, and i mean everyone!! Prominent Palestinian political figures like Hanan Ashrawi and Azmi Bishara; older women; fat men; lawyers; waiters; younger kids. All of them sitting in the back of a taxicab telling us what he/she thinks of the Israeli/Palestinian conflict, the peace process, Bush, the Israelis, checkpoints, and so on....
Reigning as the supreme confessional, however, is the dialogue with Rajai, the young photogenic driver of the taxicab, as we watch him hustle his way through checkpoints, drive his cab over dirt roads to avoid surprise searches, and serve as a reality-check to the lofty, idealistic words sometimes expounded by his passengers. Rajai symbolizes the everyday hustle that young Palestinians have to become to survive in Palestine.
What I liked most about this movie, however, was that the director Hany Abu-Asad himself, in interviewing the passengers in the taxicab, was always willing to play the role of the devil's advocate: trying to pose questions from the Israeli point of view and challenging the Palestinian occupants to see things not only from their side, but also from the other side.... ..this is movie's ultimate triumph, in my opinion! Not only does it serve to show us a vibrant and sometimes exasperating slice of Palestinian life, but it also questions the Palestinian/Arab viewer to think deeply about issues like the effect of suicide bombings, and whether they serve any meaningful purpose.
Everyone should go see this movie. Well done.