"Law & Order: Criminal Intent" Privilege (TV Episode 2007) Poster

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7/10
Not to betray the Harrington name
Mrpalli7726 September 2017
Isabel (Margaret Laney) was a trust-fund girl who lived a life estranged from her family. She's a single mother who worked as free lance and tried unsuccessfully to find a guy in order to fathering the child (the one who got her pregnant was already married to a lawyer). She's found dead along with her dutch yoga instructor (innocent victim came in the wrong place at the wrong time) after a night stand. Goren and Eames looked deep inside the family, made up of pieces of work where it's not easy to recognize the real criminal. But some hints left related to flower helped Goren in finding the key.

A lot of episodes in Criminal Intent concern family matters, but seldom there are so many killing or attempted killing within household.
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8/10
Murder most entitled
TheLittleSongbird25 February 2021
Despite being rather bumpy, the case with 'Law and Order: Criminal Intent' since Season 5, Season 6 was still watchable with some episodes being great and none of them misfired (a few are polarising though). Other than liking 'Criminal Intent' a lot, primarily Seasons 1-4, it was seeing Goren and Eames being closer to their previous seasons personas (indicated in what others have said elsewhere) and seeing an atypically cast Doris Roberts that interested me most.

"Privilege" on the whole is a very, very good episode, if not quite great or 'Criminal Intent' back at its very best. It is better than the previous episode "World's Fair" and really liked the character writing for Goren and Eames and was surprised by Roberts. Just to say, there are plenty of examples of actors guest starring on 'Criminal Intent' in different roles to usual and excelled. "Privilege" though was one, and the first, of three episodes in a row to have a rushed ending.

It's well made visually, with slick and intimate yet never too claustrophobic photography. The music doesn't come over as too intrusive or melodramatic. The direction has momentum but also breathing space. All the acting is fine. Cannot ever fault Vincent D'Onofrio, especially in his reaction to the matriarch's mistreatment when it hits home for him, or Kathryn Erbe, regardless of the material. The biggest surprise was Roberts, bringing pure class and emotional power to a character that is a far cry from the one she played on 'Everybody Loves Raymond'.

There is a thoughtful, intelligently crafted and tightly structured script and a tense, twisty and affecting story that doesn't feel predictable. Goren is the most in character in "Privilege" he was up to this point of the season, am mentioning this as a few episodes have been heavily criticised for him being considered out of character (actually loved the episodes in question and loved his character progression this season). He and Eames, up to her usual sass and the most active she's been in a while, have such spark to their chemistry. Even Richard Kind is good.

Did feel though that the ending was too rushed.

And that Ross went backwards in character writing here, apart from a great exchange between him and Goren, just when he was starting to slowly grow on me. Just don't like his aggression, clear bias against Goren and that he is so critical of seemingly everything.

Overall though, very good and primarily for the acting. 8/10
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6/10
Rattling skeletons
bkoganbing2 March 2021
The granddaughter of a wealthy socialite family is murdered and the young woman is an aspiring writer who was busy rattling some family skeletons for a book she was to write. The book Haywire by Brooke Hayward comes to mind. But she has a really gluttonous family gorged on their privileges and ain't about to see that happen.

Family matriarch Doris Roberts is one regal woman who is slowly being poisoned. Vincent Donofrio and Kathryn Erbe save her life. But for what she has to hear maybe itwould have been a blessing to let her die.

This Park Avenue family has some very dirty linen.
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